Photography News

This isn't just another third party lens for your mirrorless camera. This new lens focuses (pun intended) not just on aiding the shooting process but even more so on delivering quality images. 

[Read More]

Nikon has just teased a first look at a brand-new line of cinema lenses. So what should we expect from the final reveal? 

I was literally in the process of rigging up my Nikon ZR camera for a shoot with YouTube on for background noise when the algorithm surfaced a new video I wasn't expecting. Simply titled "A New Chapter Begins," the thumbnail gave away the secret. Well, part of the secret.

[Read More]

Landscape photography looks serene from the outside. A lone figure on a hillside, tripod silhouetted against a sunrise, communing with nature. What the Instagram post does not show is the two-hour predawn drive, the boots soaked through before the first frame, the sky that refused to cooperate, and the 200 exposures that produced three usable images. Landscape photography is not a passive activity. It is an ongoing negotiation with an environment that does not care about your shot list. 

[Read More]

The nifty fifty has earned its reputation as the go-to standard prime, but the Viltrox 55mm f/1.8 EVO feels like a quiet refinement of that formula. Just a 5mm shift in focal length is enough to change how you see and compose a scene. After testing the new Z mount variety on location, the quality of this lens becomes clear. 

[Read More]

When you accidentally remove the RAW photos, they're not totally lost but still on your camera's SD card, not showing themselves. With the right RAW image recovery tools and a little patience, you can get them back.

Here's what you need to know: how RAW photo recovery actually works, what causes files to disappear, and the smartest ways to bring those photos back - no matter what camera or storage device you're using.

 

 

Can You Recover RAW Photos from a Camera

 

Yes. Most times, it is possible to retrieve RAW images from a camera - if the files have not been replaced by newer recordings. Recovery depends on whether fresh media has written over the original data.

Deleting a RAW image or wiping a memory card entirely does not erase it instantly. That space gets flagged as "available" - yet the photograph remains hidden underneath. Only once new data moves in does it truly disappear.

Data recovery software like EaseUS Data Recovery Wizard takes advantage of this. It scans your camera memory card (whether it's an SD card, CF card, whatever), then looks for the unique signatures of RAW files like CR2, NEF, or ARW. With some luck, it can pull those deleted photo pieces back together and let you recover them entirely.

 

Common Reasons People Lose RAW Photos

 

Knowing how you lost your photos makes recovery a lot easier. Here's what usually happens:

• Accidentally delete files sometimes right from the camera or on your computer.
• Formatting the memory card wipes out everything fast, whether it's a quick format or a full one. 
• If the SD card or its file system gets corrupted, it often becomes unreadable, appears as "RAW," and locks you out. 
• If you remove the camera card without safely ejecting it on a computer, it can easily mess things up.
• Cameras show errors like "Card not formatted" or "Cannot read card," and that's never a good sign. 
• Viruses or malware sometimes sneak in when you use the card on different devices.
• Suddenly powering down while taking or saving RAW photos just leaves you with incomplete files.

 

Common RAW Photo Format by Camera Brands

 

Different camera manufacturers use proprietary RAW formats. A reliable recovery method must support all major types.

Popular Camera Brands & Their RAW Formats

• Canon: CR2 / CR3
• Nikon: NEF
• Sony: ARW
• Fujifilm: RAF
• Panasonic: RW2
• Olympus: ORF
• Leica: DNG
• GoPro: GPR

Camera Types Covered

• DSLR cameras
• Mirrorless cameras
• Compact digital cameras
• Action cameras

RAW files are slightly more complex to recover, but modern tools can handle them effectively.

 

How to Recover RAW Images from Digital Cameras

 

When you accidentally lose RAW photos from your camera, don't panic. The best way to get them back is with a reliable data recovery program, and EaseUS Data Recovery Wizard is one of the top choices.

This professional RAW image recovery tool handles almost all RAW formats like CR2, NEF, ARW, RAF, and DNG. Whether you're using an SD card, microSD, or CF card, the software works across the board. It recovers files from formatted cards and even from corrupted (RAW) SD cards.

Follow these steps to recover deleted RAW photos from the camera:

Step 1. Open the camera, remove the memory card gently. Connect it to the computer using a compatible reader device. Wait for the system to recognize the storage unit before proceeding.

Step 2. Begin by opening the EaseUS Data Recovery Wizard. Once active, locate the storage device from the available drives. Choose the memory card shown in the menu. Proceed with initiating a scan. The process begins after selection is confirmed.

Step 3. As the scan runs - or once it finishes - narrow outcomes using file categories to locate your CR2, NEF, ARW, or any required RAW format. Focus shifts here naturally when sorting begins.

Step 4. Now preview the available files, picking only those pictures you need before starting recovery. To avoid complications, store them on a different drive instead of using the initial memory card again. A new location reduces risk - simple choice, a better outcome.

 

 

 

Alternative Ways to Restore Missing RAW Photos from Cameras

 

You don't always need professional camera recovery software to restore missing RAW photos from camera SD cards. Here are a few other options that sometimes do the trick:

 

Restore from Backup

If you're good about backing up your photos, you're in luck. Just check wherever you usually store your backups, maybe it's Google Drive, Google Photos, iCloud, Dropbox, an external drive, or a NAS. Restoring from a backup is by far the easiest way, as long as you actually made one before your photos disappeared.

 

Try Built-in Backup & Recovery Tools

Windows has File History, and Macs have Time Machine. If you set them up beforehand, you can pull lost files right from there. Just remember, these tools won't help if you never turn them on.

 

 

Deal with a RAW SD Card (After Recovery)

If your SD card suddenly shows up as RAW, save your files first. Use recovery software to grab your data, then go ahead and repair the SD card; something like CHKDSK can help on Windows.

 

Conclusion

 

Most photo recovery works best when you move fast, especially with RAW images straight from your camera. EaseUS Data Recovery Wizard handles such RAW formats well, making restoration smoother if you move fast after data loss.

To improve your chances of recovering lost RAW images:

• Immediately cease operation of the memory card or storage device.
• Use trusted recovery software.
• Keep regular backups.

If you follow these tips, you'll protect your photos and spend less time stressing over lost RAW images.

 

Camera RAW Photo Recovery FAQs

 

1. Can I recover RAW photos after formatting an SD card?

Recovered RAW images remain possible after formatting if new information has not overwritten the old ones. File structure links vanish during formatting; however, underlying data often stays intact initially. Tools that support deep scan may detect and rebuild lost photographs. Acting quickly increases the chances significantly.

 

2. Why does my SD card show as RAW?

A RAW SD card means the file system is corrupted or unrecognized by the operating system. This can happen due to improper ejection, a virus attack, or a sudden power failure. In this state, the card becomes inaccessible, but the data may still be recoverable. You should recover files first before attempting any repairs.

 

3. Can permanently deleted RAW photos be recovered?

Yes, even permanently deleted RAW photos can often be recovered using advanced data recovery software. These tools scan the storage device for leftover file signatures and reconstruct the files. However, if new data has overwritten the original files, recovery may not be possible. That's why immediate action is critical.

The AI platform trusted by over 100,000 photographers now delivers professional, style-consistent color grading across every clip - directly inside Adobe Premiere Pro or DaVinci Resolve.

 

Today, Imagen Video officially launches out of beta. Imagen, the AI-driven editing platform that has transformed post-production for photographers globally, announced the official launch of Imagen Video at NAB Show 2026. After exiting beta, Imagen Video now offers advanced AI color grading seamlessly integrated into Adobe Premiere Pro or DaVinci Resolve, enabling video editors to enjoy automated efficiency while maintaining full creative control. Attendees can experience Imagen Video live at Imagen's NAB booth, April 18-22.

Color grading has long been one of the most technically demanding and time-consuming stages of video post-production. For editors working across multiple cameras, varied lighting conditions, and tight delivery deadlines, achieving a consistent, professional look can consume hours of manual work per project. Imagen Video eliminates that grind.

By combining AI Profiles trained on professional color styles with full support for custom LUTs, Imagen Video analyzes each clip individually, adjusting for lighting shifts, white balance inconsistencies, skin tones, and camera sensor differences, delivering a consistent, polished baseline grade up to 10 times faster than manual correction, helping editors meet tight deadlines with ease.

 

 

Unlike generic color correction tools, Imagen Video adapts to each editor's individual creative signature. Editors can apply their own LUTs or choose from professionally designed AI Profiles, and Imagen's AI handles the clip-by-clip adjustments needed to keep that look consistent across an entire sequence, empowering editors to stay true to their vision regardless of camera or lighting changes.

"Color grading is where a project either comes together or falls apart. And for most editors, it's also where hours disappear. We didn't build Imagen Video to replace the editor's eye. We built it to handle everything that doesn't require one: the technical corrections, the clip-by-clip adjustments, the camera matching. Imagen Video is the co-pilot every editor deserves; it handles the technical work, so you can stay focused on the creative," said Yotam Gil, co-founder and CEO of Imagen. 

The results are already speaking for themselves. Tyler Hergott, an interior design videographer, put Imagen Video to a direct test against his own manual grade: 

"I sent the client three versions: one converted through Adobe, one with my own manual color grade, and one color-graded by Imagen. I didn't tell her which was which. The designer selected the Imagen-graded version," says Tyler, interior design videographer.

One of the most common and costly pain points for event, wedding, and documentary videographers is matching footage across multiple camera bodies. Even cameras from the same manufacturer can produce shots that look noticeably different when cut together. Imagen Video's AI automatically harmonizes footage across sensors, lenses, and ISO settings - delivering a unified sequence without requiring editors to leave Premiere Pro or DaVinci Resolve.

"I'll shoot interviews with two or three cameras - all Sony, using Sony glass - but they never match perfectly. It's really hard to get them to match when cutting back and forth. Imagen does it flawlessly. I can't see going back to my old way of doing things," says Joe, a non-profit and event videographer.

 

 

Imagen Video runs natively in Adobe Premiere Pro and DaVinci Resolve, so editors can stay in their existing workflow from first cut to final grade. There is no round-tripping, no file export, and no separate application to manage, ensuring a smooth transition that respects their established process and expertise.

Within Premiere Pro or DaVinci Resolve, editors can apply their own LUTs or select from AI Profiles trained on professional color styles. From there, Imagen handles the technical layer automatically: correcting white balance and matching footage across different camera sensors and lenses so that editors can focus on the creative grade rather than the corrective one.

Imagen Video is available now as a full release, with comprehensive support and training resources to help users maximize its features. Detailed pricing and plan information are available at imagen-ai.com. 

 

About Imagen

Imagen is the personal AI platform for professional photographers and videographers. The pioneer in AI-powered photo editing since 2020, Imagen helps over 100,000 photographers worldwide save time on editing, reduce costs, and deliver consistent, professional results at any scale. During beta, thousands of video editors graded hundreds of projects on Imagen Video, validating its performance across real-world workflows before today's full release. The platform serves studios, agencies, and independent professionals across weddings, events, schools, sports, and commercial photography and videography. For more information, visit imagen-ai.com.

It has been a long time since I felt genuinely excited about a tripod and gear head, mainly because this segment of the industry has felt largely stagnant. 

[Read More]

Sit down with almost any photographer these days, and the conversation goes one of several ways: camera specs, gear rumors, and the perennial question: "What are you shooting with?" What would happen if we changed that conversation to something more? 

[Read More]

Shooting in thick sulfur smoke with burning eyes and barely enough air to breathe, Mitchell Kanashkevich still managed to walk away with images that communicate something real. Most edits of a scene like that end up feeling like nothing, and the reason almost always comes down to one flawed habit that's remarkably easy to fix. 

[Read More]

Exposure metering is one of those fundamentals that separates guesswork from consistently well-exposed images. Even with today's sophisticated camera systems, knowing how your camera reads a scene and when it gets it wrong changes how you shoot. 

[Read More]

 

 

A stunning long exposure dance photo has won our Photo of the Week award. Taken during a one day workshop, this image by chataignier titled Persistance of vision workshop shows just how much you can do with shutter drag and long exposures to capture movement. By combining flash with stage lighting, the photographer froze the dancers' expressions while the golden fabric swept and swirled across the frame. We love how the soft, trailing motion creates a sense of rhythm and energy that feels dreamlike and beautiful. The warm tones against the deep black background make the dancers stand out, while the tiny particles caught in the light add an extra layer of magic to the scene. It is a creative and skilful shot that perfectly captures the artistry of experimental lighting.

Every Photo of the Week (POTW) winner will be rewarded with a Samsung 128GB PRO Plus microSDXC memory card with SD adapter, providing top-tier storage for all your creative needs across multiple devices. But that's not all! In January 2027, we’ll crown our 2026 Photo of the Year winner, who will take home the ultimate prize of a Samsung Portable 1TB SSD T7 Shield, courtesy of Samsung. It’s time to shoot, submit, and showcase your best work for a chance to win these incredible rewards!

Picking a photography niche on Instagram or Facebook right now is an uphill battle. The platforms are flooded, and standing out as a working photographer takes more than great images. 

[Read More]

Shooting the same desert location across multiple days and radically different conditions is one of the best ways to push your landscape work forward. This Arizona desert shoot is a masterclass in staying adaptable, and the images prove that preparation and flexibility matter far more than waiting for the perfect moment. 

[Read More]

One of the more practical uses I've found for AI in photography is product placement — specifically, dropping a product into a photo you've already taken. Not generating a scene from scratch, but salvaging or extending a shoot you already have. 

[Read More]

If you want an interesting challenge, head out with your camera and search for numbers and letters or better still, objects that look like numbers and letters. You'll be impressed with how many you'll actually find and when they're put together they can make an interesting panel to hang on your wall. All you need is your camera, a good imagination and some decent weather!

 

What Can I Photograph?

If you're looking for ideas, a lighthouse can be used as a number one, chimneys can look like a number 11 and a traffic light can be a 3 or and E depending on the direction they're facing.

When we say photograph numbers/letters, you can take this literally or you could put your imagination to the test and look for them in places other people wouldn't think to look.

If you have a door number start with that then take a walk up your street and into your town snapping shop signs, adverts and road signs. Make sure you fill the frame with what you find and watch out for reflections and glare bouncing off shiny door numbers.

 

More Ideas 

When you're ready to give your grey cells a bit of a work out start looking for objects that look like numbers and letters. You may need to stand and imagine what the object looks like flipped the other way or crop into a part of it to get the number you're looking for but with a little work with your imagination, you'll soon be on your way. Make sure you take a quick look at what's surrounding your subject as a busy background won't make the number jump out of the frame. Try using a large aperture to throw the background out of focus leaving all attention on your object.

 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

If you're trying to choose between the original Pentax 645 and the Mamiya M645 1000S, you're not really asking about features. You're asking which one will make your portraits and landscapes look the way you want. 

I shot both systems with my favorite focal lengths — Pentax 45mm and 55mm, Mamiya 75mm and 150mm — and what surprised me wasn't sharpness. It was behavior. One camera encouraged speed and familiarity. The other made me simplify and commit.

[Read More]

Summer is the easiest season to photograph and the hardest season to use well. The light is long, the weather cooperates, and the subjects are everywhere. But without a specific project to anchor your shooting, those three months dissolve into a scatter of random images that do not add up to anything. 

[Read More]

Choosing a camera to pack for a spontaneous train trip sounds simple until you realize your heavier kit is the reason you leave it at home. The Fujifilm GFX100RF sits in an unusual position: 100 megapixels, medium format, and small enough to slip into a daypack without a second thought. 

[Read More]

Most travel photos disappoint not because of bad gear, but because of bad decisions made before or during the trip. If you've ever come back from a trip with hundreds of images and only a handful that actually capture how it felt to be there, the problem is almost certainly in the planning, or the lack of it. 

[Read More]

Staging photos and calling them documentary work isn't a gray area. It's a breach of trust, and it's happening more visibly in travel and humanitarian photography at a moment when the credibility of the entire medium is already under strain. 

[Read More]