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This step-by-step guide will give you a great basic introduction to the world of still life photography so if you're new to the subject, or are short on time, this could be the perfect place to start. 

 

1. Backgrounds

Keep it simple! Plain, crease-free backgrounds are a good place to start then you can always add a few extra bits of fabric or scarves, draping them over the background or table if necessary. White or coloured card/paper make good backgrounds or you could even use a plain wall. 
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2. Composition

Don't rush setting the scene, take your time to make sure it looks right, moving objects around until you can get the best composition you can. Think about it in terms of a triangle that are higher at one end and taper off. Use items that differ in size, colour and add different textures to your shot. Try moving your camera around too as just moving it a few inches to either side might make all the difference to the shot. Don't forget the photographic basics such as the rule of thirds, using negative space and guiding the eye.

You may find it easier to start out photographing just one object and avoid shiny items such as glass and metal to start as these can be trickier to capture. After a while, try introducing more items and as mentioned above, play around with different textures, colours and items to see what interesting set-ups you can create. Don't be afraid to experiment; just because plenty of other people photograph flowers etc. doesn't necessarily mean you have to.  
 

3. Support

A tripod is good - especially if you're using slower shutter speeds, however, it's not always an essential piece of kit. Having said that, putting a camera on a tripod does keep your hands free to adjust your set-up and to also control the light with a reflector. If you do use a tripod, don't forget to adjust its position from time-to-time. Lower it, raise it up and move it to one side just to see if you can capture a better shot. 

 

4. Lighting

If you want to keep things simple, just use one light. A studio light is fine but a high-powered standard energy-saving bulb in a lamp is great too as it produces a soft light.  Experiment with the position of your light as moving it just a little can add extra depth and interest to your shots. 

A tip that came from an ePHOTOzine member is to 'remove the lampshade, cut a hole in the side of a Pringles tube - imagine you're cutting doors in the tube – cut a T-shape and then fold back the 'doors' which help direct the light. Pop that over the top and you get nice directional light (cut a hole in the Pringles tube lid and attach that to the light fitting)'.

You can use a reflector (try making one out of foil if you don't own one) to bounce extra light into the shot if needs be.

If you don't want to use artificial light just set-up near a window and use a reflector to light the side of your subject the natural light doesn't reach. If you find the light's a little too strong you can use blinds as diffusers (so long as they're not coloured at this will create a colour cast) or simply pin a sheet up. 

  5. Focus

Stopping down the lens will increase the depth of field in your shot to get everything in focus but this may result in slower shutter speeds so have your tripod to hand. Take a few images with different focus points too. Invariably just one shot is fine but it's handy to have the others in case you want to combine the best bits from each. Ensure your images are sharp and as your subjects won't be moving or get bored, there's no real excuse for capturing blurry images. Take your time, check the set-up, check the frame and always check your shot on screen after you've captured it.    

 

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Lens manufacturer Meike has announced the release of the SE Series 85mm f/1.8 Mark II full-frame autofocus STM lens for Canon EF mount, priced at $229.99 USD.

The new lens improves on the earlier Mark I version with reduced chromatic aberration, faster autofocus, enhanced image quality, and a closer minimum focusing distance of 0.65m.

 

Meike SE Series 85mm f/1.8 Mark II Specs:

• Model: EF 85mmF1.8 STM SE II
• Focal Length: 85mm
• Format: Full Frame
• Aperture Range: F1.8–F16
• Filter Thread: 62mm
• Diaphragm Blades: 11
• Minimum Focus Distance: 0.65m
• Lens Construction: 11 elements in 7 groups
• Angle of View (Full Frame): Diagonal 27.8°, Horizontal 23.4°, Vertical 10.8°
• Angle of View (APS-C): Diagonal 18.67°, Horizontal 15.53°, Vertical 10.38°
• Weight: about 346g

For more information, visit the Meike website where the lens is now available to purchase.

 

  1. Do Your Research

Knowing what wildlife will appear where and when will save you time and stop you walking around for a shot you may never find. Knowing what they eat is also important as, for example, it can mean you end up capturing a shot of a Blackbird rather than a Blue Tit in your garden.

 

Make sure you know how your camera and any other gear you have out with you works before you're outside in your hide. It may sound like a daft statement but knowing how to quickly adjust a setting can make all the difference when you only have a few seconds to take a shot.

2. Feed The Birds

Winter can be hard work for wildlife as they have to work harder to find food sources, but this can make them slightly easier to track down. In nature reserves, look for places you can set up near hedgerows used for feeding and back home you can set up your own feeders to attract birds who are still around for the winter months. Don't just suddenly start feeding them then stop once you have your images though.

Shots of birds on feeders are good but for more natural-looking images try placing perches such as branches or even a spade near the feeder which they can land on before going for the food. You can also put nuts, berries, seeds and fat balls in holes and cracks in trees to attract them to land.
 

3. Be Patient And Ready

Animals and birds scare easy so don't think you can just head outside, get your camera out and start shooting. Nature reserves usually have hides dotted around you can use and when you're out in the field or in your own garden, set up a portable hide. Once your hide is up, be prepared to wait a while before any wildlife comes your way as it'll take them some time to realise you're not a threat. Although in nature reserves and parks where wildlife is more used to human contact you probably won't have to wait quite as long. Don't make any sudden movements and take some time to just look at the scene around you instead of getting your camera out straight away. By doing so your subject is more likely to return and you don't have to spend as much time out in the cold.

If you're working at home and have a window you can shoot from, set up inside and either shoot through the glass (make sure you're close up to the windowpane to cut down on reflections) or open up the window if you can. You can then stay warm with the heating on and still get the wildlife shots you're looking for.
 

4. Gear Choices 

Longer lenses (400mm is a good place to start) are generally a must, however, you can use slightly shorter lenses it just means you have to work harder at getting closer to your subject. When using longer lenses and sitting, waiting for long periods of time you don't want to be holding your camera so take your tripod out with you. If you're out walking a monopod is a worthwhile consideration as they're easier to manoeuvre, however, a tripod will work just fine if you don't own one. Of course, if you can remotely trigger your camera via your Smart Phone or other trigger devices, you won't need a lens that's quite as long. 

 

5. Be Quick

Wildlife doesn't hang around for long and some, such as hares, move quickly so quick shutter speeds are needed to freeze movement and to capture skittish behaviour. If your shutter speed is too low there's a chance your shot will have blur in it as they move quicker than you think, especially birds who quickly turn their heads into different positions. To get the quicker shutter speeds you'll most likely need to crank up the ISO but as most digital cameras now cope with ISOs up and beyond 800 without noise becoming too much of an issue, you shouldn't have any problems with doing that.

6. Backgrounds And Composition

No matter where you're shooting your wildlife shots you need to have a good look around the viewfinder to make sure there's nothing in the background that will distract the viewer. Throwing the background out of focus can look great, however, this can cause parts of your subject, particularly when working with small subjects such as birds, to also go out of focus. If this happens try using a slightly smaller aperture as getting the subject sharp is what's more important.

You may have to work quickly but this doesn't mean you should forget about composition altogether. Do give your subject space and try not to capture them when looking out of frame as your viewer will follow their gaze and move their eyes out of shot. Do shoot while they're in different positions too as you may find a side profile shot works much better than one where they are head-on, for example.
 

7. Be At Their Angle

A low position gets you down to the animal's level and can help avoid messy backgrounds. Out in the field, this could mean laying on the ground to get a shot of a squirrel foresting for food and in your garden, you could end up placing feeders lower than you first thought so your lens lines up with them more easily.
 

 

 

8. Shoot When It Snow

Not that many places in the UK have had much snow as of yet but when a bit of the white stuff does fall it gives photographers the chance to shoot against clutter-free backgrounds that really create the essence of winter. Snow also gives you the chance to find tracks wildlife have left so find a well-trodden path and set up nearby. Dawn and dusk are good times to be out but do wrap up warm and take a head torch with you so you can see what you're doing. Pay attention to where the wind is blowing too as wildlife are good at picking up scents.

Do be aware that snow can confuse your camera and you can end up with shots that are underexposed. Keep checking your histogram to make sure the exposure's OK and use exposure compensation if needs be to brighten your shot.

9. Popular Areas

There are places in the UK and right around the world that are more popular than others for wildlife photography. There's nothing wrong with visiting these popular places but please respect the wildlife and don't overcrowd them. You may also want to spend some time finding places you can shoot in closer to home as not only do they stand the chance of not being as popular, you don't have as far to travel which means you can spend longer brushing up on your technique rather than travelling.

 

You've read the technique now share your related photos for the chance to win prizes: Photo Month Forum Competition  

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Photo by Joshua Waller

 

The nights are still rather long at the moment in the UK and with the sun setting so early, now's the perfect time to try your hand at night photography as you don't have to be out that late to capture some cracking images. Plus, if you time it with rush-hour, you can use long exposures to shoot some cracking light trails. 

 

1. Get The Right Accessories

As we are dealing with longer shutter speeds, a tripod is an essential piece of equipment if we want our images to be sharp. Do remember that traffic can cause a small amount of movement and don't forget to turn off the image stabilisation function as when using longer exposure times and a tripod, this function can actually cause shake which will result in a blurry image. A cable or wireless (IR) remote is useful but you can also use your camera's self-timer to start the exposure to reduce shake.
 

2. Camera & Lens Options 

The type of camera you use isn't all that important as it's your own creativity that'll create a good image. However, a DSLR or other type of camera that offers manual control will make the task easier. The type of lenses you use for night photography will change depending on what you want to capture. If you like pictures of street views, use a wide-angle lens, however, if you want to focus on just parts/details of the street use a zoom lens between 28 - 200mm. Having said that, you'll probably find a wide-angle lens to be most useful. 
 

3. Metering & Exposure Time Tips 

Exposure times aren't set in stone and it's worth trying different shutters speeds. Shooting with spot metering can help exposure levels and I find working in manual tends to produce better results. If you have the time, photograph the same scene with various exposure times and look through them to see which has produced the best results. 

 

Photo by Joshua Waller

 

4. Composition Is Key

Consider changing to a portrait orientation to help exaggerate the height of buildings and do take your time when composing your shots at night as it can be harder to see small details through the viewfinder due to the lower light levels. 

 

5. Panning With Traffic 

Traffic is a popular subject at night as it gives photographers the chance to be particularly creative when combined with a bit of panning. When panning, try to follow the subject with your camera/eye then hit the shutter button in the middle of the pan and continue the smooth movement through to the other side. It's similar to swinging a baseball bat, hitting the ball at the middle of the swing and following through.

Although you can pan hand-held a tripod can be very useful when panning at night as the low light levels mean you can experiment with slower shutter speeds. If you want a little more of the shot to be sharp you can add a 'pop' of flash to freeze the movement of your subject.

   

You've read the technique now share your related photos for the chance to win prizes: Photo Month Forum Competition  

Your iPhone is more powerful than you think. Buried in iOS is an app called Shortcuts that most people ignore entirely, and those who do open it often close it immediately, overwhelmed by the programming-like interface. That's a mistake. Shortcuts can transform tedious, repetitive photography tasks into single-tap operations, and once you understand the basics, you'll wonder how you ever managed without them. I've made five useful Shortcuts exclusively for Fstoppers readers.

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Top Gear and Preparation Tips for Starting Out in Travel Photography

 

 

Embarking on a journey into travel photography is more than just taking pictures in exotic locations—it's about capturing stories, understanding cultures, and being equipped with the right tools and mindset. When exploring vibrant markets, remote landscapes, and bustling cities, having the best gear for travel photography and being well-prepared can significantly impact your results.

In this guide, we'll cover essential travel photography gear, practical tips for beginners, and tricks to maintain your equipment while on the move.

 

 

Explore DepositPhotos for licensed travel photos for your creative projects

 

How to prepare for a travel photography job as a beginner creator

 

Landing your first travel photography job can be both exciting and overwhelming. The key lies in preparation, consistency, and adaptability.

 

Research your destination

Before heading to popular travel photography hotspots, learn about the local culture, climate, and accessibility. Understand the best times for natural lighting and golden hour shots, and what locations might be sensitive to photography.

Consider these aspects:

• Seasonal light patterns' impact on landscapes;
• Local festivals showcasing vibrant traditions;
• Off-the-beaten-path locations for authentic storytelling;
• Cultural taboos to respect while photographing people;
• Optimal times for capturing iconic landmarks;
• Local markets and their unique visual elements.

 

Build a shot list

A shot list will guide your creative process and show professionalism, especially if you're handling commissioned travel photography jobs. Consider these categories to enhance your visual storytelling:

• Dawn patrol. Early morning cityscapes;
• Local artisans. Traditional craftsmanship;
• Hidden gems. Lesser-known locations;
• Night scenes. Vibrant after-dark moments;
• Architectural contrasts. Old meets new;
• Cultural rituals. Unique local traditions;
• Street food. Culinary experiences.

A well-planned list serves as your visual roadmap, ensuring you capture key moments while allocating time for spontaneity.

 

Check your legal and logistical needs

Ensure you have travel documents, photography permits, and insurance coverage for health and travel photography gear. Investigate permit requirements for protected areas and landmarks. Secure necessary visas, especially for commercial work. Familiarize yourself with local photography laws and cultural sensitivities. Consider these crucial aspects:

• Research drone regulations and no-fly zones;
• Obtain model releases for portrait subjects;
• Respect copyright laws for artwork and performances;
• Review customs regulations for equipment transport;
• Understand privacy laws in public spaces;
• Check restrictions on tripod use in crowded areas;
• Be aware of photography bans in religious sites.

 

 

The best gear for travel photography

 

Choosing the best gear for travel photography means balancing performance, durability, and portability. Here's a breakdown of what you should consider packing as a beginner:

 

Best cameras for travel photography

Compact mirrorless cameras are now a top choice among professional and beginner photographers. They offer compact size without sacrificing professional features. Here are a few standout options:

1. Fujifilm X-T5. Lightweight with excellent image quality and film simulation features.
2. Sony Alpha a7 IV. A full-frame powerhouse with advanced autofocus and video capabilities.
3. Canon EOS R8. A strong entry-level full-frame option for high-resolution travel shots.

These are among the best cameras for travel photography because they offer superior image quality while remaining compact enough for daily travel.

 

Versatile lenses

For beginners, a versatile 24–70 mm f/2.8 zoom covers everything from wide-angle vistas to portraits, while a fast 35 mm f/1.8 prime excels in low-light and street scenes. As your skills (and itinerary) expand, build a travel-ready lens kit that balances scope and portability: a 16–35 mm wide-angle for landscapes and architecture, the trusty 24–70 mm for everyday flexibility, and a 70–200 mm telephoto zoom to bring distant wildlife or compressed cityscapes closer.

To round out your creative arsenal, you might also pack:

• Ultra-wide fisheye—dramatic, curving distortions for unique perspectives;
• Macro lens—crisp, close-up detail of flora, food, or textures;
• Tilt-shift lens—perspective correction and miniature effects in urban settings;
• Fast prime—wide aperture for atmospheric, low-light street shots;
• All-in-one zoom (18–300 mm)—space-saving versatility when you can carry only one lens.

 

Accessories to enhance workflow

Enhance your travel photography workflow with these essential accessories:

• Versatile camera bag. Protect gear and organize efficiently;
• Lightweight tripod. Ensure stability for sharp images;
• High-capacity memory cards. Capture more without interruption;
• Spare batteries. Extend shooting time in remote locations;
• Portable hard drive. Backup photos securely on-the-go;
• Remote shutter release. Minimize camera shake for crisp shots;
• Polarizing filter. Reduce glare and enhance colors;
• Cleaning kit. Maintain equipment for optimal performance.

 

 

How to take care of your travel photography gear during trips

 

Protecting your investment in travel photography gear is essential, especially when facing varied climates and rugged terrains.

 

Weatherproof your equipment

Protect your gear from the elements with quality rain covers and dust-proof cases. While weather-sealed cameras like the Canon 5D Mark IV offer protection, caution is still necessary. Consider these tips:

• Use silica gel packets to combat humidity;
• Wrap gear in microfiber cloths for added protection;
• Acclimate equipment gradually in temperature extremes;
• Keep spare dry bags for sudden weather changes;
• Invest in waterproof camera straps for added security.

 

Routine cleaning

Maintaining your travel photography gear requires a consistent cleaning routine. Implement these techniques for optimal performance:

• Use microfiber cloths to gently remove smudges from lenses;
• Dislodge dust from sensors with a rocket blower;
• Clean camera bodies carefully, avoiding buttons;
• Apply lens cleaner sparingly for stubborn marks;
• Inspect and clean lens contacts for reliable connections.

 

Smart packing and transport

Invest in a padded camera bag to shield your gear from impacts. Always carry essential equipment as hand luggage when flying. Avoid exposing gear to extreme temperatures and use hotel safes for secure storage during exploration.

 

Conclusion

Starting a career or hobby in travel photography demands more than a love for travel and visuals—it requires the right gear, thoughtful preparation, and ongoing care. From choosing the best cameras for travel photography to discovering new travel photography hotspots, every step of your journey adds to your visual storytelling toolbox. As you land more travel photography jobs, this article's foundational habits will continue to support your success.

 

Sam Abell has pursued a career in documentary photography, spending 33 years with National Geographic. He concurrently taught and authored numerous books, including The Life of a Photograph, Seeing Gardens, and The Photographic Life. In 2024, Sam received the Lifetime Achievement Award from The Photo Society and was inducted into the International Photography Hall of Fame. Here, he explains why he shoots in an automatic mode, sticks with shorter lenses, and why Dorothea Lange is his North Star.

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The low position of the sun in winter makes it a perfect time to shoot silhouettes. You just need to find a bright background (the sky's perfect) and the right subject to give you a shot with series impact.

 

1. Pick A Subject

As there are no textures or tones to grab people's attention strong subjects that are instantly recognisable work the best. In winter, wildlife (deer in particular) work well. Even more so if you're shooting on a cold morning when the breath can be seen in the air. The bare, skeletal-like trees that cover our landscape at this time of year also work well as subjects for winter silhouettes. Higher up, turn rolling hillsides into dark shapes that curve across your shot. Fog can help add interest and contrast to the shot and exposing for the lighter, foggy parts of the shot will give you the silhouetted hillsides you're looking for.
 

2. Adjust Your Exposure

You need a bright background for this technique to work and the sky, particularly when there's a colourful sunrise, works particularly well. You can also use a large expanse of water if you live near a lake or the coast too.

To create a silhouette, expose for the brighter background rather than your subject as by doing so your subject will underexpose, appearing very dark if not fully black. Using the spot or centre-weight light measurement modes on your camera should give you the results you're looking for or you can use exposure compensation and select -1 or -2 to deliberately underexpose your shot.

If you're using a compact camera simply point the camera at the brightest part of the scene you're photographing, press the shutter half way down and don't let go of it. Next, re-frame the shot then press the shutter button the rest of the way to take your shot. This should fool the camera into giving you the exposure you want, but you may have to try exposing from different parts of the image to create the silhouette you're looking for.

3. Focusing Tips

You might want to meter from your background, but you don't want this to be your main point of focus. So, to ensure your main subject is sharp, use a smaller aperture to maximise depth of field. You can also try pre-focusing your shot before you set your exposure or switch to manual focus. If you're using a compact camera try using Landscape mode as this will let the camera know you want to use a small aperture so your shot has front to back sharpness.

 

4. The Sun's Position

Try to position your subject in front of the sun when you're framing up as you should never look through the camera directly at the sun as you can permanently damage your eyes. If you want the sun to be in frame, use the Live View feature so you can frame up safely.

  5. Turn Flash Off

If your flash is set to go off automatically make sure you switch it off otherwise it'll light up your subject and you won't get the silhouette you're looking for.

 

6. Framing Advice 

Don't think you have to fill your frame with your subject as a little space around them will leave room for the brighter, colourful background to show, giving your shot more interest and impact. This is where a wider lens comes in handy as you'll be able to get more of your background in shot. Of course, getting close to a shy animal with a wide-angle lens is easier said than done but you could try putting your camera on a tripod and use a remote release to fire the shutter button. Just remember to focus the camera on a fixed spot before you go into hiding. Having said that, if you're using a long telephoto lens to capture your winter wildlife from a distance you should still have plenty of room around your subject for the lighter background anyway.

If you were given a camera as a gift at Christmas or have just decided to treat yourself so you can learn a new skill, you're probably wondering where to start with your new kit. One of the best ways to improve and learn how to use your new camera is to actually get out and use it but we thought it would also be helpful to have a page where photography beginners can find all of our introductory tutorials in one place. So, below you'll find all our beginner photography tutorials written to-date but do also keep an eye on our techniques and features sections as new tutorials are added regularly. 

 

Learn what basic camera settings can help you freeze movement. 

  Digital Camera Settings 

• The Absolute Beginner Guide To Camera Preset Shooting Modes
• What Are Drive Modes?
• Beginner's Guide To Geotagging
• Beginner's Guide To White Balance Mode
• Introduction To Metering Modes
• Quick Beginner Tips About Focus Lock
• Digital Zoom: A Beginner's Guide

 

Learn the basics of aperture. 

  Understanding Exposure

• Creative Aperture / Depth Of Field
• Beginner's Tips: How To Make A Manual Exposure
• Beginner's Introduction To Depth Of Field
• Beginner's Tips: Shutters and Apertures Anyone?
• Beginner's Tips: How To Use ISO
• Beginner's Guide To DSLR Photography: Creative Apertures

 

 

  Taking The Shot

• Essential Beginner Photography Tips: Think About Your Focus
• Creative Children Portraits On A Budget
• Panoramas For Beginners
• Beginner's Tips - How To Capture Motion In Your Images
• How To Make Sure Your Subject Is The Main Point Of Interest
• 5 Tips For Someone New To Portrait Photography
• Beginner's Guide To Sunrise Photography
• Ten Top Tips To Teach Photography Newbies
• Beginner Wildlife Photography Tips
• Beginner Street Photography Tips
• Beginner's Guide On Photographing Children
• Beginner's Guide To Photo Composition
• Understanding Lenses And Focal Lengths

 

 

Seasonal Tutorials 

• Snow Photography Tips For Beginners
• Beginner's Tips For Christmas Photography
• Tips On Using Your Compact Camera At Christmas

 

Learn the basics of lighting objects.

Basic Lighting Tips

• Beginner's Guide to Light Part One
• Beginner's Guide To Light - Part Two
• Beginner's Introduction To Built-In Flash

   

You've read the technique now share your related photos for the chance to win prizes: Photo Month Forum Competition  

ePHOTOzine is delighted to confirm that Samsung will once again support the much-loved Photo of the Week award, celebrating an impressive 11th year of this successful partnership.

Thanks to Samsung’s ongoing commitment, this long-standing collaboration continues to recognise outstanding photography, shining a light on creativity, technical excellence and artistic flair across our community. We’re excited to welcome another year filled with inspiring images.

Samsung continues to inspire the world and shape the future through innovative ideas and cutting-edge technology, and ePHOTOzine is proud to welcome the global electronics brand back as supporter of our prestigious Photo of the Week accolade for the eleventh consecutive year.

We’re pleased to announce that throughout 2026, Samsung will once again reward our Photo of the Week (POTW) winners with its reliable, high-performance memory products. Each weekly winner will receive a Samsung 128GB PRO Plus microSDXC memory card with SD Adapter, providing fast, dependable storage suitable for a wide range of devices.

The Samsung 128GB PRO Plus microSDXC memory card, complete with a full-size SD adapter, is ideal for use with cameras, laptops and more. Compatible with Android smartphones, tablets, action cameras, drones and gaming consoles, PRO Plus is designed to help you capture more, faster and without compromise. With impressive U3, Class 10 read/write speeds of up to 180/130MB/s, transferring and storing large volumes of images is seamless. UHS-I, V30 support ensures smooth 4K video recording, while six-proof protection guards against water, extreme temperatures, X-rays, magnets, drops and wear. The card is backed by a 10-year limited warranty. Further details are available on the Samsung website.

Photo of the Week is selected every week by the ePHOTOzine team. To be in with a chance of winning, simply upload your images to the Gallery.

All 52 weekly winners will then have their images showcased in our POTW forum. In January 2027, the community will be invited to vote by hitting the ‘like’ button on their favourite shots. The ePHOTOzine team will tally the votes and crown the overall Photo of the Year winner, who will take home the top prize: a rugged, ultra-fast 1TB Samsung Portable SSD T7 Shield.

Best of luck to everyone taking part, we look forward to seeing the diverse and inspiring images submitted by our community of photographers each week. Our sincere thanks go to Samsung for its continued and valued support.