Photography News

Aaron Anderson has built a career shooting for major corporations like Sony, Fujifilm, and Bosch through collaborations fostered on Instagram. Here's how he did it, and how you might too. 

 

Aaron Anderson has an enviable career, shooting for notable clients like Sony PlayStation, Fujifilm USA, Monster Energy, Goorin Brothers, KTM, Tamron USA, Husqvarna, Rockstar Energy, Bosch Global, and others. He credits it all to "personal work" — shoots done on his own without pay.

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Every photographer carries two things at all times: a camera and a mental catalog of phrases that make their eye twitch. These aren't insults. They're worse. They're delivered with complete sincerity by perfectly nice people who have no idea they've just committed a felony against your entire profession. What follows is a support group meeting in article form. 

1. "You Must Have a Really Nice Camera."

The classic. The original. The undisputed, pound-for-pound champion of photographer-annoying statements, undefeated since roughly 1987 and showing no signs of slowing down.

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Shooting your first wedding is one of the highest-stakes situations you'll face with a camera in your hands. There's no second take on the kiss, no reshooting the vows, and no recovering a moment you missed because you didn't know it was coming. 

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Historical and alternative printing has experienced a popular resurgence in recent years. Let me show you how to make a cheap and easy lightbox for printing cyanotypes, salt prints, and other alternative printing processes. 

More and more photographers are learning that historical and alternative printmaking can be one of the most accessible and rewarding of all printing processes. The materials are more accessible than ever, and it takes very little to produce quality prints right in your own home.

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The case for buying an APS-C camera over a full frame one has never been stronger. Recent advances in sensor technology, AI-powered noise reduction, and a new generation of fast glass have quietly closed the gap that once made full frame the obvious choice for serious work. 

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Keeping your ISO at 100 sounds responsible, but it may be costing you sharp, usable shots. This video argues that treating ISO as a strict limit rather than a flexible tool leads to sacrificed shutter speed, compromised stability, and missed moments. 

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Why Do We Need To Do This?

When you're working with tall structures such as a mountain range, it can sometimes be difficult to grasp how tall they really are but if you add an object the viewer recognises the scale of, it's much easier for them to understand how big the other object is. As a result, your shot will have various points of interest that can lead the eye through the frame, depth and scale. Another reason for doing this is to give your shot impact. For example, when you see an image of the desert with a person mid-frame you are suddenly reminded of the sheer size of the landscape which often results in a 'Wow' moment.

 

What To Use?

People work well as they are an easily recognisable shape that's easy to grasp the size of. In turn, this makes it easier for the viewer of the image to understand how vast the area is that's surrounding the person. Of course, you can use other objects that are easily recognisable or even part of a subject. This works well with very large man-made objects such as cruise liners as it suggests they are so big, they can't be fitted into the frame. Add holidaymakers walking next to it and suddenly you're realising that it's a huge piece of engineering.

 

 

Where To Position Your Person / Object?

Positioning your secondary subject roughly anywhere from the middle to the back of the shot will make it easier for the viewer of your image to grasp the size of the mountains, dunes trees or whatever else sits in the surrounding shot.

If it's difficult for your subject to reach this area of the shot move further back if you can or if you have to, position them in the foreground without pulling focus from the landscape. If you position your secondary subject too close it can distort the perspective as your foreground subject will appear larger in the frame but this still shouldn't be a problem if you're using a person.

 

 

Change Perspective With Your Lens

The lens you choose to use and its focal length can change the perspective of your shot too.

By moving the position you're shooting from, altering the zoom or by using a different type of lens altogether will change how the final image looks and in some cases the distance that appears to be between objects in the frame. For example, you may be shooting a landscape that has a single house or tree in it and by using a wide-angle lens you can include more of the scene around the object, creating a sense of isolation and demonstrating how small it is compared to what else is in the frame. Go the opposite way and zoom in or use a telephoto lens to pull the object to you and it will fill the frame, becoming more of a focus rather than a way to express the size of its surroundings.
 

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Photoshop has more color-grading tools than most people ever use, and picking the wrong one costs you time and control. Point Color, tucked inside Camera Raw, gives you precision that the standard Hue/Saturation adjustment simply can't match. 

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The camera displays the error message "Card cannot be accessed." Formatting the SD card would wipe data out and fix the problem. If the card has many images and videos, discover the best ways to resolve the "card cannot be accessed" issue.

 

Why Your Card Cannot Be Accessed

Examine the following section to determine the main reasons why your SD card cannot be accessed on the camera:

• Inadequate Physical Contact: You can't read from or write to your devices if your SD card isn't inserted correctly.
• Compatibility issues: It might arise when a user's file system is incompatible with the device they are using.
• Software bugs: Viruses that infect the SD card may eventually destroy files and images or render them unreadable.
• Physical Damage: SD cards most often sustain physical damage for unknown reasons, which can eventually lead to complete data loss.
• SD card locked. Any modifications or access are prevented if the card's lock switch is turned on.
• Incorrect format. Recognition problems arise when using a card that is not prepared for Canon cameras.

 

How to Fix the 'Card Cannot Be Accessed' Error on Canon

These targeted fixes address the most common underlying causes—from SD card corruption to camera firmware issues.

 

Fix 1. Inspect the SD Card for Physical Damage

A damaged SD card will trigger the 'Card Cannot Be Accessed' error on Canon cameras, even if the card works on a computer. Carefully inspect the SD card for signs of physical harm that can disrupt the camera’s ability to read it:

• Check the gold contact pins on the back of the SD card for scratches, oxidation, dust, or dirt. Wipe the pins gently with a clean, dry microfiber cloth to remove debris.
• Inspect the card body for cracks, bends, or a broken lock switch.
• Check for water damage or discoloration on the card, which indicates internal corrosion.

If the SD card has visible physical damage, replace it. Damaged cards cannot be reliably fixed and risk data loss during use.

 

 

Fix 2. Repair the SD Card’s File System Errors on a Computer

If your Canon camera still shows the 'Card Cannot Be Accessed' error after reinsertion and camera formatting, the SD card may have deep file system corruption that the camera’s built-in formatter can’t fix. You can repair these errors using a computer, then reinsert the card into your Canon to test.

1. Connect the SD card to your Windows PC using a card reader.
2. Open “This PC” and locate the SD card’s drive letter.
3. Right-click the drive and select “Properties”, then go to the “Tools” tab.
4. Click “Check” to scan the SD card for file system errors and repair them automatically.
5. Once the scan is complete, safely eject the SD card from the PC and reinsert it into your Canon camera.

 

 

Fix 3. Update Your Canon Camera’s Firmware

Outdated camera firmware can cause compatibility issues with newer SD cards or trigger SD card read errors such as 'Card Cannot Be Accessed'. Canon regularly releases firmware updates to fix bugs, improve SD card compatibility, and add features.

1. Canon’s firmware update process is universal for all models:
2. Visit the “Canon Support” website, search for your camera model, and navigate to the “Firmware” section.
3. Download the latest firmware file and save it to a formatted SD card.
4. Insert the SD card with the firmware file into your Canon camera, then power the camera on.
5. Navigate to the “Setup” menu, select “Firmware Update”, and follow the on-screen prompts to install the update.
6. Do not turn off the camera during the update.
7. Once the update is complete, the camera will restart. Insert your original SD card and check if the error is gone.

 

Recover Lost Photos from the Card that Cannot Be Accessed

We advise you to follow this procedure to recover images from the corrupted SD card to a safe location, provided that your files on the Camera SD card are important. 

We recommend using EaseUS Data Recovery Wizard, which provides a variety of scanning choices to serve a wider audience. SD cards, CF cards, and other memory card types, both new and old, can all have their lost data restored using this tool.

Step 1. Select the SD card to scan

• Download and install EaseUS Data Recovery Wizard on your Windows PC.
• Use the proper way to connect your SanDisk/Lexar/Transcend SD card to the computer. 
• Open EaseUS SD card recovery software and choose SD Card Recovery on the left panel. All connected drives will display here. Select your SD card and click "Scan for lost data".

 

 

Step 2. Check for scan results

• Wait for the scanning process to complete.
• Specify one or several file types to show up, like Pictures or Videos.
• Click "Preview" to check if they are the wanted files.

 

 

Step 3. Recover SD card data

• Preview the recovered files and click "Recover".
• Choose a different location to save the recovered files instead of the original SD card.

 

 

Preventing Pictures from Being Lost on the Failed SD Card 

Preventing this error is far simpler than fixing it, and these easy habits protect your Canon camera and SD cards, ensuring you never miss shots due to SD card issues.

• Use Canon-recommended SD cards: Check your camera’s manual for supported brands, speeds, and capacities. Stick to high-quality options from SanDisk, Lexar, or Kingston, and avoid cheap counterfeit cards that easily corrupt.
• Handle the card and camera carefully: Never remove the SD card or turn off the camera while the memory card light is blinking.
• Keep camera firmware up to date: Regularly check Canon’s support website for firmware updates that fix SD card compatibility issues and add support for new SD card models. A quick check every 3-6 months is enough for hassle-free use.

 

Conclusion

The 'Card Cannot Be Accessed' error on Canon cameras is frustrating, but it is almost always caused by simple SD card issues, improper handling, or minor firmware bugs—not a faulty camera.  If the error persists across multiple compatible SD cards, the issue may be with the camera’s SD card slot or outdated firmware. Physical damage to the SD card or camera slot is the only rare case that requires replacement or professional repair.

 
 

Photographing a flower head on a black background is a simple but effective way to make yourself a piece of wall art. The bright petals against a stark, dark background make a vibrant image that wouldn't look out of place on the shelves of stores that are designed to fill your home with accessories and decorations.

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1. Gear Suggestions

• Macro lens 
• Window for light or two constant light sources placed either side of your set-up
• Black background
• Flower(s)
• Tape
• Container to hold your flower
• Tripod - keep your hands free so you can adjust the position of the flower head etc.

  2. Constant Light Source 

If it's a sunny day you'll have plenty of free light falling through your windows to work with, however, if it's a gloomy and really overcast you'll need a couple of constant light sources to place at either side of your set-up. You want just enough light so the petals have contrast and don't blend together. Take a look at the edge of the flower too as you don't want it to vanish into the background too much.
 

3. Background Choices

You can use whatever you have to hand as long as it's black and not reflective. As holding a flower still is rather hard work, we used a plastic cup as a stand and taped the flower to it but a vase or any other container will work just as well.

  4. Do & Don't

Don't use an aperture that's too wide as you'll lose too much detail towards the edges of the flower and if you're shooting straight on make sure the centre of the flower is sharp. Experiment with your shooting distance, taking shots of just the centre of the flower or try changing the position of the flower to shoot it on a slight angle.
 

5. Photo Editing 

Once you have your shots why not get creative in Photoshop? Take a look at ePHOTOzine's technique section for Photoshop, Lightroom, Elements and GIMP editing tutorials. 

 

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© Skylum

 

Skylum is celebrating four years of Luminar Neo, reflecting the impressive evolution of its AI-powered photo editing software since its 2022 launch. A standout achievement came in late 2025 when Luminar Mobile received Google Play’s Best Multi-Device App Award, recognizing its smooth and consistent experience across phones, tablets, and desktops. To thank its growing community, Skylum is offering new customers discounts of up to 74%, creative anniversary gifts, and a special video message from the team.

 

From Skylum:

The software company Skylum is celebrating four years of Luminar Neo. The AI-powered photo editing software enables access to professional photo editing for both experienced photographers and beginners with just a few clicks. To mark the anniversary, Skylum’s development team has released a dedicated video. It particularly honors the creativity of Luminar Neo users and serves as a thank-you for the shared journey so far.

The video is available here:

 

From Desktop App to Ecosystem

Since its launch, Luminar Neo has evolved from a standalone desktop application into a fully developed cross-platform ecosystem seamlessly connecting PC, iOS, Android, and ChromeOS. The software synchronizes photo editing across all devices, allowing users to edit photos on the go using a smartphone or tablet and finalize them later on a desktop if desired. Advanced AI technologies can be used to automatically analyze image content as well as add or remove elements. This makes editing significantly faster, more precise, and more intuitive.

 

Google Awards 2025: Best Multi-Device App

A major highlight of the past year: Luminar Mobile was named Best Multi-Device App at the Google Play Best of 2025 Awards. The award particularly recognizes the seamless cross-platform use of the Android app, including Chromebook support, as well as its integration into desktop workflows. This category honors apps that provide an especially consistent and high-quality user experience across multiple devices.

“Four years of Luminar would not have been possible without our loyal community. We thank all our users for their trust, creativity, and valuable feedback, which plays a key role in the ongoing development of our software. Our goal is to continuously improve Luminar so that professional photo editing remains as simple, intuitive, and accessible as possible for everyone in the future,” says Yevhenii Tymoshenko, CMO at Skylum.

 

Benefits for New Customers

Skylum is currently offering various licenses with discounts of up to 74% as well as an anniversary gift. More information about the deals and pricing information for your region is available at: https://skylum.com/luminar/pricing

 

About Luminar Neo

Luminar Neo (skylum.com/luminar) is a powerful, AI-driven photo editing software developed by Skylum, a global company specializing in imaging technology. The software combines an intuitive user interface with advanced AI technologies to make professional-level photo editing accessible to everyone—whether beginners or experienced photographers. Thanks to Generative AI, users can effortlessly remove elements, extend backgrounds, or replace objects in just a few clicks. Enhance AI brings together more than 20 adjustments in a single tool, automatically optimizing color, detail, and exposure, while tools such as Relight AI and Atmosphere AI enable precise control over lighting moods and depth effects. Luminar Neo also offers non-destructive editing, RAW support, layers and masking features, as well as seamless integration into existing workflows. From portrait retouching and landscape enhancement to creative photo compositions, Luminar Neo revolutionizes photo editing with cutting-edge AI and unlocks entirely new creative possibilities for photographers.

As a comprehensive ecosystem, Luminar Neo also enables cross-device editing between desktop and mobile devices, allowing projects to be continued anytime, seamlessly. With integrated web galleries via “Spaces,” AI-powered photo restoration for old or damaged images, and an intelligent AI Assistant that provides personalized editing suggestions, the software supports creatives throughout the entire workflow—from the initial idea to the final presentation.

You can wait for hours, days or months for the right sky and still be disappointed. But don't get too downhearted as a little bit of digital processing will give your image the sky it needs.
 

Photograph The Sky Whenever & Wherever 

Before we get to this stage we need a sky to import and having a library of stormy, bright blue and sunset-coloured skies is a time-saving idea that's practical and easy to create. In other words, just shoot interesting skies whenever you see one and do so with wide-angle, standard and telephoto lenses. Also, consider the many varieties of lighting - back, frontal, side, for example - so you build a library of sky images to cover all creative options.

  Quick Gear Checklist 

For most skies in the open, all you need is a wide-angle or standard zoom lens but a long telephoto lens can be useful too. If you're planning on taking several images of the sun LiveView is crucial as you don't want to be looking down the lens with it burning back into your eyes. A strong neutral density filter will help reduce the sun's glare and a polariser is perfect for creating saturated blue skies.

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Fill The Frame With Sky 

Usually, you're told to remove some of the sky but this time it's our focus so you want to shoot from a position that allows you to get plenty of it in the frame and be in a location where there are no distracting objects such as trees, buildings and long grasses.

Pay attention to which direction the light is coming from and note it down as you don't want to use a sky with light coming from the left when shadows on your original image lay in the opposite direction.

Don't ignore the clouds either as they can alter the light and make certain areas of the shot darker than others. For sunsets, which work well dropped into shots of people or buildings silhouetted, you need to fill the shot with the sun but don't stare at it through the lens as this will damage your eyes. Use LiveView, point and press.

Stormy skies are perfect for atmospheric shots where castles or any other old building are your centrepieces. Watch for breaks in the clouds where long streaks of sunlight burst through for more interesting images.

For more tips on replacing skies or shooting images where the sky is your main focus, have a look at these tutorials: 

• Shooting Landscapes With Interesting Skies
• Create A Dramatic Sky In Photoshop
• Enhancing Sky In Photoshop
• How To Replace A Sky In Elements
• Adding A Sky Behind A Lighthouse
• Photographing Beach Huts With A Big Sky

 

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The Viltrox Vintage Z2 on-camera flash combines value, power, features, and fun in a package designed for photographers who wish to avoid the bulk of the typical external flash. 

The Viltrox Vintage Z2 TTL Flash follows the Z1 and features a radical departure in design language. Although the Z2 does evoke some retro vibes, it abandons the "steampunk" look of their previous small flashes in favor of a compact, folding design, which is both stylish and, more importantly, functional.

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While AI anxiety dominates the conversation, these five specializations are expanding, backed by real market data, not wishful thinking. 

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Nikon USA Ambassador Audrey Woulard is known for her distinctive lighting style and natural, expressive portraits. Woulard's commercial clients include Pottery Barn and IAMS, and her work has appeared in People, InStyle, and Better Homes & Gardens. Here she holds forth on the best advice she's ever gotten, the importance of steady hands, and how simplicity led to success. 

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For the past few years, many have felt changes to Instagram have moved the platform away from photographers. According to recent comments by Instagram's CEO, Adam Mosseri, those fears appear well-founded. 

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Lightroom's Transform panel has a reputation for being a one-click fix, but it can do far more than straighten a crooked horizon. Most people hit "Auto" and move on, leaving a set of sliders untouched that can genuinely reshape how a photo feels, especially if it was shot with a wide angle lens. 

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The 35mm focal length sits in a unique position: wide enough to show a scene, tight enough to keep it clean. Most people who struggle with it are treating it like a 50mm or 85mm, and that's exactly where things go wrong. 

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If you've been paying for a Lightroom Classic subscription while quietly wondering whether it's still worth it, DxO PhotoLab 9 is a direct answer to that question. After roughly 15 years of Lightroom as his primary editing tool, Matt Day spent two months with PhotoLab 9 before canceling his Adobe subscription entirely. 

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Shooting carefully or upgrading your gear rarely fixes flat, forgettable photos. What actually separates images that stop people mid-scroll from ones that don't is something most photography content skips entirely: whether you were genuinely present when you pressed the shutter. 

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