Photography News

Following the strong reception of its D1 Plus and Pro models, TerraMaster has introduced the D1 SSD Enclosure, and its timing couldn't be better. As AI and machine learning workloads continue to drive unprecedented demand for flash storage, SSD prices have climbed sharply, forcing creators to rethink how they invest in capacity. Instead of committing to expensive, fixed solutions, the D1 offers a more flexible approach to pair with the SSD that fits your budget and your needs. 

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There is a simple rule that will immediately reduce the number of blurry handheld photos you take, and most beginners have never heard of it. It is called the reciprocal rule, and it gives you a minimum shutter speed based on the focal length of your lens. The math takes about two seconds. The payoff is permanent. 

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Recently I got to go hands-on with the all-new Canon C50 for a couple of projects, and ultimately I wanted to see if this could be the right compact cinema video camera, delivering high-quality video up to 7K that would work not only for content creation and brand videos but also for some indie filmmaking projects. 

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There's a particular kind of photographer who becomes visibly uncomfortable the moment Juergen Teller enters the conversation. You know the type. They can explain sensor readout speeds like nuclear engineers. They spend three weeks comparing corner sharpness at 400%. They speak about cameras the way Formula 1 mechanics speak about engines. Their hard drives are graveyards of technically flawless emptiness. 

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Buying a camera because of its "color science" is one of the most common and costly mistakes in photography. Whether it's Fujifilm, Leica, or any other brand with a devoted following, the idea that one manufacturer has access to a secret color palette that others don't is worth examining before you spend thousands of dollars chasing it. 

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The Canon RF 20-50mm f/4 L IS USM is one of the more interesting lenses Canon has released in a while, and the weight alone makes it worth a serious look. If you've been building a run-and-gun or content creation kit around a Canon EOS R6 Mark III, this lens changes the math on what that rig actually costs you in terms of bulk and fatigue. 

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Choosing a telephoto lens usually means choosing between size, cost, and autofocus capability. The Kase 150mm f/5.6 autofocus mirror lens is trying to hit all three at once, and that's not something any lens has really pulled off before at this price point. 

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Portrait retouching is one of those skills where the gap between fast and good is enormous. Generative AI can fill in a blemish in seconds, but the moment you zoom in, the skin texture looks synthetic, the pores disappear, and the person starts to look like someone else entirely. 

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    It's well-known in the photography community that you can go to certain locations and expect to see tripod holes in the floor where photographer after photographer has set-up to capture a popular shot so how can we, as photographers, do something a little bit different? We answer this question, and more, below. 

 

1. What Gear Do I Need? 

1. Zoom lens - it's easier to carry just one lens
2. Support - A support that's lightweight and compact is easier to carry and this could be a tripod or monopod, depending on your preference. 
3. Camera bag - An everyday backpack which is strong, can carry various pieces of kit and is easy to access is perfect for this type of photography. A rucksack style distributes the weight of kit more evenly, which means you'll be more comfortable when walking for long periods of time. 

 

2. What Research Should I Do? 

Having a look through online photo galleries and in travel guides will give you an overall picture of how the landmark(s) you're planning on visiting have been captured before. You'll also be able to find out if there are any costs and the opening/closing times so you can plan your trip around the crowds of tourists that will no doubt flock to your photographic subject. When you arrive at your destination have a look around the tourist information office as you'll find plenty of postcards that feature photos of landmarks and other important buildings which can be a great source for shooting ideas.

 

 

3. Is Clichéd OK?

There are shots that every photographer and his dog have taken of well-known landmarks, but this doesn't mean you should avoid them. A good, postcard style shot of a landmark is something you should try and get early on in your trip then spend the rest of the hour, day or week looking for angles that mean the landmark is still recognisable but the shot you produce is slightly different to what someone would usually expect to see.

 

4. When Should I Plan My Visit For? 

The problem with landmarks is they're popular with tourists so unless you want them in the shot, you'll have to arrive early or stay late to avoid them. Of course, changing your angle or working a little closer to the structure will mean tourists become less of a problem. If it's a really busy day, including them in the shot can add an extra element of interest. Particularly if you use a slightly slower shutter speed to blur their movement around the bottom of the structure you're photographing. Just remember to carry your tripod as you will need it if you plan on playing with slower shutter speeds. Panoramas can work particularly well in busy places too. 

There's probably a couple of local landmarks that may not be as popular with the tourists but are important to the people who live there so consider capturing them too if you want to work somewhere that's slightly less busy.

 

 

5. How Can I Be Different? 

Use your feet and take a walk around to find a unique take on the landmark you're photographing. How does it look from underneath? Can you crouch down and shoot up? Or climb some steps or a hill that's close by to give you a little more elevation. Working from a slightly higher angle can help reduce the convergence you get when shooting tall structures too. When you've finished with the front of the structure have you ever considered photographing it from the back? No? Well, not many tourists do either so you'll be able to capture a unique photo.

 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

 

When you first think of transport photography you probably think of cars but trains, boats and planes are just as interesting and with the right planning, can be photographed. In this article, we list popular transport photography tutorials and offer a few tips on the gear you may want to consider using.

 

Photographing Cars - Gear Choices & Our Top Tutorials 

 

A standard lens is fine as you can move around the car to alter the angle and position. You'll also want to use a polarising filter to reduce reflections just remember shutter speeds will be slower so you may want to use a tripod.

• Five Ways To Take More Creative Shots Of Cars 
• How To Photograph Your Car Successfully 
• Tim Wallace's To Car Photography Tips

  Photographing Boats - Gear Choices & Our Top Tutorials 

 

A standard zoom of the 35-80mm range is fine, although you may prefer a longer lens 80-200mm if the boat is further away. Make sure you use a polarising filter to reduce reflections/deepen blue skies and pack a tripod but if you plan on taking your shots at the coast or will be walking along a canal for a lengthy period of time, a light-weight tripod that still offers good rigidity will be easier to carry, particularly after you've been walking for a while. 

• Everything You Need To Know About Boat Photography
• How To Take Good photos From A Boat
• More Boat Photography Tips 
   

Photographing Trains  - Gear Choices & Our Top Tutorials 

 

A lens with a focal length between 50mm and 100mm is ideal. Better still, use a zoom lens with a range that covers 28-105mm so you don't have to waste time changing lenses. For shots away from stations, use a tripod with a pan head to follow the train and on the platform use a monopod as they can get busy and you don't want to get in anyone's way.

• Steam Railway Photography Guide 

  Even More Top Transport Photography Tips 

 

If you want even more transport themed photography advice, we have 10 more top tips to help you take better photos of trains, planes, cars and other modes of transport.
 

You've read the technique now share your related photos for the chance to win prizes: Photo Month Forum Competition

Street photography can be intimidating for those of us who usually stick to nature. But after spending years shooting landscapes, I've realized that the transition to the city isn't really about learning new techniques. It's about realizing you already have most of the tools. 

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A photographer can shoot 30 weddings a year, stay booked months in advance, and still feel a quiet dread every time an unexpected expense hits the account. This advice-column piece tackles that disconnect — why so many working photographers are fully booked and still broke, and what actually fixes it. 

The Letter

Dear Lisa,

I feel ridiculous writing this because if you looked at my Instagram, you'd probably think I was doing really well.

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A while back, I made the mistake of comparing my old Polk TSi100 bookshelf speakers against much more expensive speakers. Somehow, my cheap speakers won. Now it's time for round two.  

In that first test, I preferred the Polk TSi100 speakers. So did everyone else who listened blind. Naturally, that made audiophiles angry. The main criticism was that I was using bookshelf speakers as near field computer speakers, and that I should be comparing them to proper studio monitors instead.

So that is exactly what I did.

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New AI software can now create incredibly accurate video from still images, and the Real Estate video market is about to change forever.  

For years, real estate video has followed the same formula. You show up with a camera, maybe a gimbal, maybe a drone, and you create a polished walkthrough of the property. You glide through the front door, pan across the kitchen, show off the pool, and end with a dramatic exterior shot. It has worked because there was no better option. This is now outdated. 

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Every January, the trend forecasts roll in. And every year for at least the last five, "authenticity" has appeared somewhere on the list, wedged between AI predictions and whatever retro aesthetic is cycling back. By now, it would be reasonable to dismiss it as an empty buzzword, the kind of thing that sounds important in a webinar and means nothing in practice. 

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Most of us know that shooting in a flat log picture profile will give you the highest quality video footage but the workflow has always been too difficult to deal with. I've created Fstoppers' LUTs for Sony cameras and a shooting and editing workflow that changes everything.  

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Choosing between the Canon EOS R6 Mark III and the Sony a7 V is one of the more genuinely difficult calls in full frame photography right now. These are the two cameras sitting at the top of the hybrid market, and the differences between them are real but subtle enough that the wrong choice is easy to make. 

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Color grading in Lightroom can be the difference between a photo that feels alive and one that falls flat. The color grading panel is one of the most powerful tools in Lightroom, but most people either skip it entirely or use it wrong. 

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One speedlight and a diffusion setup can go a long way toward producing a clean, versatile portrait. Knowing exactly how to position, power, and modify a single flash is the kind of skill that makes the difference between a shot that works for one purpose and one that works for a dozen. 

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The Viltrox TC 2.0 is the first third-party 2x teleconverter for Sony E-mount, and it cuts into Sony's own $600 option at just $280. That price gap alone is worth paying attention to, but the real question is whether the performance holds up. 

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