Photography News

Fujifilm has built an empire on it. Nikon proved it works at full frame. Canon is openly entertaining the idea, with an AE-1 tribute rumored for this year. And Sony, the company that defined modern mirrorless photography, is nowhere to be found.

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Working the ICE story in Minneapolis meant relying on others—friends, colleagues, total strangers even. It meant leaning on the community and knowing how to sift good information from bad—and by the end of my time there, there was a lot of the latter.

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Nikon has rolled out firmware version 1.10 for the ZR, marking a major step forward for filmmakers. The main change is a significant increase in recording time, now up to six hours, which makes the ZR more useful for long shoots such as interviews or documentaries. The update also introduces timecode input for easier syncing, RED‑style file naming for smoother multi‑camera work, and several practical improvements, including more LUT options and better exposure tools.

 

From Nikon

Nikon is pleased to announce the release of firmware version 1.10 for its full-frame sensor camera in the Z CINEMA series, the Nikon ZR.

Firmware version 1.10 for the ZR significantly extends the maximum length of recording time from 125 min. to 360 min. (6hrs)1, making it possible to shoot at events that require extended recording such as interviews, documentaries and more. The new update also supports timecode input over a wired connection via the external microphone/line input connector, making it easier to synchronise with audio recording devices and other cameras. In addition, a file-naming convention similar to that of RED cameras has been adopted, enabling more efficient data management, especially when shooting with multiple cameras.

A number of features that enhance usability have also been added, including a function that displays a warning line indicating the maximum brightness level in the brightness information display (histogram, wave-form monitor) when recording R3D NE videos in Log3G10, making exposure easier to control. The number of LUTs that can be imported from a memory card using Custom Setting [3D LUT] > [Import CUBE file] has been increased from 10 to a maximum of 50. This allows users to choose the LUT that will best match the final intent from a broader range of options while on location.

In addition, a [Power-on lamp energy saver] option has been added to the setup menu, allowing users to choose an option that keeps the power-on lamp lit at all times. This allows the user to check whether the camera is on or off at a glance, even when the monitor is closed, preventing unintentional drain on the battery while carrying or transporting the camera. Moreover, [Video file type] can now be set to [R3D NE 12-bit (R3D)] in the video recording menu even if the shooting mode is AUTO, making it possible for users to easily enjoy cinematic video recording with simple operation.

For the full list of updates visit the Nikon download centre: https://downloadcenter.nikonimglib.com/en/index.html

Nikon continuously strives to meet users' needs through regular firmware updates, providing useful functions.

 

 

Tip 1: Reach For A Long Lens You'll need a telephoto zoom (300-400mm) for capturing frame-filling shots and a tripod is essential. If you have one, fasten on your ball-head but it's not essential. 

 

Tip 2: Know Where All Your Buttons & Functions Are 

Know your equipment well before heading outside as you don't want to be searching for buttons and messing around with settings when you only have seconds to take a shot.
 

Tip 3: Get Closer To Your Subject 

You will need to be quite close to the birds even if you are using a lens with plenty of reach as they are really tiny things and can be easily lost in your background.
 

Tip 4: Keep Hidden When Possible 

Make sure you hide out of sight in either a purpose-built hide or try shooting from your house or from an outbuilding such as a shed.
 

Tip 5: Feed The Birds 

Make sure you have feeders out, particularly at this time of year when food's a little scarce. This will encourage birds to regularly visit your garden for food. 
 

 

Tip 6: Think About Feeder Position 

Place feeders in areas where branches or even ready-made perches you want them to land on are positioned. That way they'll, hopefully, land on the branch in front of your chosen background before going for the food.

  Tip 7: Change Your Props 

Change the style of perch you're using to bring a bit of variety to your shots after a while.
 

Tip 8: Think About Backgrounds 

Hedges make great natural looking backgrounds but don't let the scenery overshadow your subject. For those with fences and walls rather than hedgerows try collecting a few sheets of material that can help disguise it. 
 

Tip 9: Focus Is Key 

Pay attention to the tips of tail feathers as these can become out of focus.
 

Tip 10: Be Patient 

Don't be too eager to hit the shutter button the second a bird lands as they're nervous creatures and it may take them a while to become comfortable with their surroundings.

 

 

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Are you a smartphone photographer or videographer? Then the Haida MagSafe Magnetic Filter Holder and smartphone filters might be a nice addition, giving you some extra creative options. I received a set from Haida to try out. Curious? Read about my findings in this review.

Using a smartphone as a camera is, of course, perfectly fine. The quality can be surprisingly good, especially with high-end models. Just like with real cameras, filters can also be used on smartphones. This offers extra creative possibilities.

Haida has also entered the market for smartphone photography...

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Among the many AI-powered image enhancement tools, the one we show in this article is the first to come close to a one-click solution for print preparation, with nearly no additional cleanup required.

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Sony's a7 V sounds like the obvious upgrade if you want a faster, more responsive full frame body without jumping to a flagship price. The catch is that a spec sheet won’t tell you where the real compromises hide.

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If you’re trying to earn more from photography in 2026, you’re juggling two fights at once: getting better at the work and staying visible in places like Instagram without wasting your week.

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You’re probably eyeing the Sony a1 II because you want one body that can handle sports, wildlife, portraits, and serious video without feeling like a compromise. The catch is that it’s priced like a long-term decision, so small differences in handling, tracking, and video tools turn into real wins or real regret.

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A single-lens travel setup sounds simple until you try to cover 25mm through 200mm without hating the compromises. The Tamron 25-200mm f/2.8-5.6 Di III VXD G2 aims straight at that problem, and the details in this review land right where your real-world shooting gets messy.

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Nikon has just announced a new firmware update for their Nikon ZR cinema camera. Let’s have a look at some of the coming updates.

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Winter is another perfect season for outdoor photography as, even though it's cold, clear overnight skies bring early morning frost and when you combine it with beautiful landscapes, something magical can appear. To ensure you succeed in your frost photography quest, we've put together 5 quick but essential frost photography tips.  

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1. Lenses For Frost Photography 

With a cool, clear night comes morning frost and it's a subject that works well for both close-up work and wider landscape shots. For your close-ups of the patterns, frost creates you'll need a macro lens or a 70-200mm zoom lens with extension rings will work just as well if you don't own a macro lens.

 

2. Early Starts 

Frosts are typically better early in the day, often before the sun hits the frost and starts to thaw it; which means a prompt start, but one of the benefits of the winter months, is that at least sunrise is at a more sociable time than in the summer! Head for areas of open space and rolling landscapes, rather than woodland, where the shelter of the trees can prevent frost.

On a really cold day, when even the sun isn't going to thaw the frost too quickly, a touch of sunlight helps to emphasise the sparkle of frost, and especially try shooting into the light to accentuate the glint of the sun on the frost still further, but remember to use a lens hood to minimise the chance of flare on your pictures.

 

3. Bounce Some Light 

Take a reflector out with you (a piece of card covered in foil will do fine) as they're useful for bouncing light into shaded spots and remember to slip a few spare batteries into your pockets if you're planning on venturing out for a while. It's also worth remembering to wrap up warm as you'll soon feel the cold when you're stood waiting for those long exposure times to complete.

 

 

4. Don't Let Frost Fool Your Camera 

Like snow, frost, particularly when it's a thick covering, can fool your camera's meter to think the scene's much lighter than it actually is and it will underexpose the shot. If this happens, use exposure compensation and shoot half to one and a half stops over what your camera thinks is correct. You should always check your histogram, too, to ensure the exposure's correct.

 

5. Frost Photography At Home

If you don't want to venture too far, have a look for frost on your windows as the patterns it produces are great for macro work. Out in the garden, icy blades of grass are worth capturing early in the morning and look for fallen leaves that are covered with frost while you're out there too. Use a small aperture to make sure more of your image is sharp but if you're working with a leaf that's still on a tree, try using a wider aperture to throw the background out of focus, isolating the leaf in the process. While you're looking at branches look for frost covered berries as the reds contrast well with the white coloured frost.

 

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Have you ever gone back to look at older images you created? Whether they’re from six months ago or six years ago, there are often elements worth revisiting. As our eyes mature and technology advances, we’re able to see opportunities to refine those images in ways we simply couldn’t before.

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If you’ve ever looked at National Geographic’s “Your Shot” favorites and thought, “I could never compete with that,” you’re not alone—and you’re also probably aiming at the wrong target. Most photographers assume editors are hunting for the sharpest file, the cleanest composition, or the most technically “correct” exposure. A picture editor’s job isn’t to find the most perfect photograph. It’s to find the photograph that can carry attention, meaning, and credibility—fast—and still feels worth returning to later.

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MPB has announced its yearly results, showing strong performance and reaching profitability for the first time. As a leading platform for photographers and creators to buy, sell and trade used photo and video gear, the company continues to grow across international markets. With more customers, expanding margins, and steady investment in technology, MPB is building momentum as demand for second-hand equipment rises worldwide, while also supporting more sustainable choices for creators.

 

From MPB:

MPB Group (“MPB” or the “Group”), the leading global platform for photographers, content creators and visual storytellers to buy, sell and trade used kit, announces its results for the financial year ended 31 March 2025.

 

• Group Net Revenue increased 19%, with international markets up 28%  
• Margin expansion across all geographies, reflecting strong execution and balanced investment 
• Strong platform for growth, with Gross Merchandise Value to increase more than 50% by FY27 
• Growth has accelerated further in FY26, with Group Net Revenue up 27% in the first half

 

Matt Barker, Founder and CEO of MPB, said: “MPB continues to deliver strong growth, extending a track record of consistent execution that spans more than a decade. Our performance reflects the success of our international expansion, high levels of customer loyalty and the strength of our market-leading platform. Reaching profitability in FY25 marked an important milestone, as we continue to expand margins across geographies and further strengthen the foundations for growth.

“Momentum has accelerated in the current financial year, with net revenue up 27% in the six months to September 2025. Demand for high-quality, second-hand equipment continues to grow, supported by the rise of digital content creation and increasing global adoption of circular models. With an expanding international footprint and the benefit of sustained investment in our platform, data and AI capabilities, MPB is well positioned to deliver significant, profitable growth. 

“I would like to thank my colleagues for their hard work and commitment. Our people remain central to our success as we scale the business and shape the future of this market.” 

 

Market-leading platform delivering strong growth

The Group - spanning the US, Europe and UK - delivered a strong performance in FY25 across all key metrics, reflecting the attractions of its market leading platform, disciplined investment in its data and technology capabilities and accelerating international growth, including market share gains in the US and the successful opening of additional local-language platforms in Europe.  

Net Merchandise Value grew 17% and Net Revenue was up 19%, while margin expansion across all geographies ensured Gross Profit grew 24% to £45.3m (2024: £36.4m). MPB recorded an EBITDA of £0.8 million for the year (2024: £2.9 million loss), establishing a strong platform for continued and significant profitable growth.

 

Consolidated Marketplace financial highlights:

table { width: 500px; border-collapse: collapse; text-align: center; } th, td { border: 1px solid #000; /* ensures all cells have borders */ padding: 8px; } th { background-color: #f2f2f2; }   FY25 FY24 Change Gross Merchandise Value £224.8m £191.7m +17% Net Merchandise Value £200.3m £170.6m +17% Net Revenue £63.6m £53.3m +19% Gross Profit £45.3m £36.4m +24% Gross Profit as % of Net Revenue 71.2% 68.3% +290bps EBITDA £0.8m £(2.9)m -

 

International expansion the engine driving MPB’s growth

International Net Revenue grew 28%, with international markets now accounting for over 75% of Group revenue, reflecting the success of MPB’s overseas expansion strategy.

MPB’s US business continued its strong performance, taking further market share, with Net Revenue up 26% to £26.6m and Gross Profit increasing 36% to £17.9m. The US accounted for 42% of Group Net Revenue at the end of March 2025, having expanded its Circular Commerce Centre in Brooklyn to provide capacity to support growth for the next five years. 

European Net Revenue increased 31% year-on-year, following the ambitious roll-out of four additional local market platforms. MPB now serves customers via local language platforms in Germany, France, Netherlands, Austria, Belgium, Ireland and Italy. Gross Profit increased 36% to £15.5m.

 

Customer base doubles in three years, with strong satisfaction and loyalty

MPB hit the milestone of one million unique customers globally in FY25, doubling its unique customer count over three years. 384,000 people transacted with the Group during the period.

MPB recirculated more than 564,000 items of used kit in the year, extending the life and creative potential of photo and video equipment for creators. This approach reduces the need for new production and supports more sustainable consumption, while delivering affordability and choice for customers.  

Customer satisfaction remains central to MPB’s success and customer feedback continues to demonstrate high satisfaction across all markets. This is reflected in MPB’s Global NPS remaining at 74, an excellent score for a consumer business.  

 

Continued technology investment to cement market leading position

MPB is continuing to invest in its proprietary recommerce technology, data and AI capabilities, driving accelerated revenue growth and margin expansion. The Group has a strong financial position from which to continue to invest, supported by an expansion of HSBC’s credit facilities during the year. 

Group headcount increased from 455 to nearly 500 during FY25 as the Group has continued to invest in the wealth of people-talent surrounding its headquarters in Brighton - where MPB is one of the largest employers in the area - Berlin and Brooklyn. 

 

Successfully capturing a global growth opportunity, with GMV to exceed £300m by FY27

Demand for high-quality second-hand equipment continues to grow, with customers looking for affordability and choice. The ongoing rise of content creation is adding further momentum, reinforced by global support for circular business models. Against this backdrop, MPB is well placed to deliver significant, profitable growth, offering a seamless, high quality experience for its customers.

Looking ahead, the Group will expand into new markets, deepen customer engagement and scale efficiently. MPB is introducing new customer loyalty tools, enhancing personalisation and evolving its data-driven pricing model, while continuing to strengthen its presence in the US and attractive European markets. An engaged international workforce is central to MPB’s success and the Group is investing in its people, with a particular focus on AI and digital transformation. 

MPB remains highly confident in its strategy and its ability to capture the opportunities ahead. Gross Merchandise Value is on track comfortably to exceed £300m by FY27, illustrating the Group’s growth potential.  

For more information, please visit the MPB website.

Proof that you don't need to spend $2,000 to get professional results.

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Standing in front of a landscape that feels unreal can make your brain short-circuit, and your photos often show it. This video breaks down a method for getting past that frozen, everything-is-important feeling without turning the moment into a checklist.

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You can shoot the same subject twice and still end up with two completely different photographs when the conditions change, especially when snow rewrites every edge and shadow. This video follows an ultra-large format camera shoot where the stakes are simple: get it right before the light fades and before you ruin the scene by walking through it.

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High-ISO files can look fine at thumbnail size, then fall apart the moment you zoom in and see the grit crawling through feathers, skin, or shadows. If you rely on noise reduction, the real question is what each tool does to detail when the file is already stressed at ISO 12,800.

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After you leave the basic compact camera market you can group the other models into four main groups of camera which are: DSLR, Mirrorless / Compact System camera, Bridge Cameras and the Advanced Compact.

It can be difficult to know what type of camera that it is you want or need, so we've created this article to outline the main differences, and the pros and cons of each camera, to help you make a more informed decision about what camera is best for you.

 
What Is An Advanced / Serious Compact Camera?

An advanced compact camera is generally quite small, and these days is packed with loads of features. They usually have more fun features than their larger counterparts, such as lots of inbuilt image filters and effects.

Advanced compacts are quickly becoming bigger competitors with mirrorless cameras in terms of image quality and settings every year. As technology advances, compacts get more megapixels, more zoom and loads more settings in a small body that is easily carried everywhere.

Smaller compact cameras will most likely use a CCD or CMOS sensor. These sensors are small and vary in image quality. A CCD sensor will provide better quality and clearer, less distorted images, but they use a lot more power than CMOS sensors and are more expensive to make. CMOS sensors can be more susceptible to noise but are much more energy-efficient and easy to produce. Although the recent introduction of "Backlit" or Back Side Illumination (BSI) CMOS sensors has helped improve noise performance. The smaller the sensor, the smaller the pixels will be on that sensor, resulting in more image noise as the pixels can't take in as much light.

Compact cameras as a whole these days will include features like a program and manual mode, to give the user more control over the settings. However, compact cameras often don't have the necessary control over features like focusing and exposure. Because of the small size of the system, compact cameras will not have the aperture or ISO range of a larger camera. 

Take a look at our Top 10 Best Serious Compact Digital Cameras guide to see which serious compacts top our list. 

What Are The Advantages And Disadvantages Of Advanced Compacts?

Pros:

• Small size
• Nowadays they have 16MP plus, making them more than adequate for most photography
• Many effects and filters
• They have many of the programs and manual features that were previously only found on DSLRs a few years ago

Cons:

• Less zoom capability than cameras with interchangeable lenses and bridge cameras
• Lesser image quality than cameras with bigger sensors
• Sometimes can be difficult to get a good grip on due to their small size and slim designs
• Less control over exposure settings

 

 

Bridge / Ultra Zoom Cameras

Bridge cameras are generally larger and more chunky than compact cameras. They don't have interchangeable lenses, but often offer more zoom and larger megapixel numbers because of their larger size. A bridge camera is a great purchase if you are looking for something with a little more to give than a compact. They are often easier to hold and feel a little more robust than compacts, and some mirrorless cameras too. This style of camera lets you get wide-angle shots and then zoom into distant subjects.

You can find more information on Bridge cameras in our Top 10 Best Ultra Zoom Digital Cameras Article which you can find here.

 

What Are The Advantages And Disadvantages Of Bridge / Ultra Zoom Cameras?

Pros:

• Manual controls are often available 
• Plenty of zoom for your money!
• Good handling
• Choice of battery type
• Good or excellent macro performance, as well as increased depth of field, so more of the picture is in focus

Cons:

• Lesser image quality than cameras with bigger sensors
• Can be bulky in size
• Generally, not too great in low light
• Difficult to obtain blurred backgrounds/subject separation

 

 

What Is A Mirrorless Or Compact System Camera?

Mirrorless or compact system cameras are the latest edition to the camera family. They were designed as a hybrid between a DSLR and a compact, keeping the high image quality but lessening the size of the camera body drastically to create something small yet powerful.

Mirrorless cameras have no TTL viewfinder which means body size is reduced. Most mirrorless cameras use a large back screen to display the image and some have electronic viewfinders, or the ability to attach an electronic viewfinder to them.

Mirrorless and interchangeable cameras have evolved a lot since they were first introduced and have now formed two subgroups; cameras that look like DSLRs but are smaller in size and those that look like compacts with interchangeable lenses. Today's technology means that mirrorless cameras can use very flat pancake lenses that still provide a very high image quality.

Different brands of mirrorless cameras use different systems for attaching the lenses, meaning that only certain lenses can be brought for certain cameras. For example, Panasonic and Olympus use the Micro Four Thirds system, while Samsung uses the NX mount and Sony uses the E-mount. Some cameras have adapters allowing you to fit different lenses and even DSLR lenses.

The mirrorless camera will generally have more manual settings and more of the advanced features of a DSLR. Their interchangeable lenses mean that they are more versatile as a camera, as you can fit specific lenses for your preferred area of photography, for example, macro or wide-angle lenses.

Mirrorless cameras can have the same size sensors as DSLR cameras, but they vary a lot from make-to-make. Mirrorless cameras are still a fairly new and emerging style of camera, but often feature some of the latest innovation and technologies.

 

What Are The Advantages And Disadvantages Of A Mirrorless / Compact System?

Pros:

• Small and with technology are now very much as good as DSLRs in some respects
• Manual setting and more control than compacts but still in a small body
• Modern and still evolving
• Shallow depth of field possible/blurred backgrounds
• Less complicated mechanically than a DSLR, therefore often cheaper to buy

Cons:

• Can sometimes be top-heavy due to large lenses on small compact style body
• Potentially limited lenses available for each camera due to different systems of attaching
• Still have less telephoto zoom capability than DSLRs
• Macro performance of standard lenses can be poor, requiring dedicated lenses for macro work
• Battery life often not as good as DSLRs

   
What Is A DSLR Camera?

DSLR cameras are the direct digital descendants of the SLR film cameras. Standing for Digital Single Lens Reflex, DSLRs are chunky but are still unrivalled in terms of possible image quality. New DSLRs can pack a lot of megapixels into an APS-C or full-frame sensors, making them the best in terms of quality and manual preference settings.

DSLRs generally have black bodies that can be quite hefty, especially when they have a long zoom lens attached. What makes the DSLR a good choice is that you are not tied to only one or two brands of lens for your camera. Most DSLRs fit third party lenses such as Sigma or Tamron, giving you variety in terms of price and features, depending on what you want.

DSLRs can be quite difficult to get your head around at first, with all the different settings and possibilities, but over time, a DSLR can become a great tool for producing stunning photos. They have a lot more breadth in terms of settings than other cameras. Because of their size, they have larger aperture brackets and higher ISO settings, meaning that they provide better opportunities for a much wider range of photographic genres and subjects. Have a look at some of the best APS-C DSLRs or best Full-Frame DSLRs.

  What Are The Advantages And Disadvantages Of DSLR Cameras?

Pros:

• Great image quality
• Manual settings
• Loads more exposure breadth
• Generally longer battery life than the other cameras
• Optical viewfinder so can see directly through the lens
• Good handling

Cons

• Big and hefty
• Can be complicated to get your head around
• Expensive for the camera and lenses

    So, What Camera Is Best For Me?

At the end of the day, it depends on what your budget is, what you want from a camera and how professional you are looking to go. It will surely depend person-to-person, but as a rough guide, ask yourself a few questions:

• Do I want photographs of professional quality?
• Do I want a camera that has to be carried around in a separate bag because of its size?
• Do I have the money to buy lenses and other equipment to improve my kit?

If the answer to two or more of these is yes, then you may want to consider investing in a DSLR for that image quality edge. If the answer to two or more of these is no, then perhaps something smaller like a mirrorless or advanced compact is the camera for you. While still having good image quality and a host of different settings, these cameras provide a more portable option.
 

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