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Canon has received eight accolades at the 2026 iF Design Awards, marking thirty-two years of consecutive recognition for the company's industrial design. This year's awards were granted to a range of products within Canon's portfolio, including mirrorless cameras, digital cinema equipment, and industrial printing solutions. These honors reflect the brand's ongoing participation in global design standards and its ability to deliver products across multiple technology sectors.

 

From Canon:

Canon announces that eight Canon Group product designs were recognised by iF International Forum Design GmbH at the iF Design Award 2026. This year marks the 32nd consecutive year in which Canon designs have won iF Design Awards. Canon Medical Systems Corporation's Aquilion Rise CT scanner was selected for an iF Gold Award, the highest distinction.

iF Design Award 2026 Gold winning product

 

  Product name Full-body CT scanner Aquilion Rise (Canon Medical Corporation)

 

iF Design Award 2026 winning products

 

  Product name Mirrorless camera EOS R50 V Compact digital camera PowerShot V1 3D lens RF-S7.8mm F4 STM DUAL Digital cinema camera EOS C400 Digital cinema camera EOS C50 Industrial inkjet label press LabelStream LS2000 Large-format hybrid printe
Colorado XL-series
(Canon Production Printing Netherlands B.V.)

 

iF Design Award 2026 Gold winning product 

 

Aquilion Rise, full-body CT scanner

 

iF Design Award 2026 winning products

 

RF-S7.8mm F4 STM DUAL, 3D lens

 

PowerShot V1, compact digital camera
 

EOS R50 V, mirrorless camera (shown with RF-S14-30mm F4-6.3 IS STM PZ lens attached)

 

EOS C400, digital cinema camera (shown with CN-R85mm T1.3 L F lens attached)

 

EOS C50, digital cinema camera (shown with RF85mm F1.4 L VCM lens attached)

 

Colorado XL-series, large-format hybrid printer

 

LabelStream LS2000, industrial inkjet label press

 

About the iF Design Award

Established in 1953, the iF Design Award is one of the most prestigious design awards in the world. It recognizes outstanding industrial designs worldwide. This year, international design experts judged over 10,000 entries from 68 countries and regions across nine disciplines: product, packaging, branding & communication, service design, architecture, interior design, concept, user experience, and user interface.

For more information, please visit the Canon UK website.

Photo by Daniel Bell.      Why this style of photography works is because, generally, people feel more relaxed out of a studio environment which will produce better photos. Throw a bit of fun into the mix and you'll soon have a collection of images that are unique and interesting.  [HOOK]position_1[/HOOK]  1. Gear Advice 

For environmental portraits, a 14-24mm lens can work well but a go-to lens popular with many photographers is a 70-200mm, which can produce great perspective at the right focal length. When working with families, particularly when shooting a little more candidly, natural light works well but do pack essential lighting accessories such as a reflector. If you find you're out during the middle part of the day, particularly on a sunny day, find shade you can shoot in to produce a more even exposure. 
 

2. Conversation Is Key 

Even if you know the people you are photographing it's still important to talk to them during the shoot as direction and encouragement will always be welcomed. Suggest poses and always get your 'money shots' in the bag early so you can have more fun and also shoot more candidly later on. Good shots to ensure you capture are images of the group as well as shots with tighter framing of individuals or one or two family members together.

Direction doesn't have to come via your voice either. You could kick a ball into a particularly good patch of light or ask children to play with toys in a certain part of the landscape you're working in. Remember that children do have a short attention span so make the posing part of the shoot as quick as possible then leave them to play, capturing candids with your camera as they do. 
 

3. Colours, Backgrounds & Clothing 

Backgrounds that contrast with what your subject is wearing can create vibrant images and don't get too hung up on having everyone in matching shades as a mix of colours adds interest and if they pick their own outfits, they'll be more comfortable. 

 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

Japan is one of those countries that rewards photographers at every turn, but that very abundance can make planning overwhelming. With limited time, where do you actually go?  

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Contrast and clarity can turn a flat image into something that actually holds attention. Used without control, they can just as easily make a photo look harsh and overprocessed. 

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Full frame cameras promise top-tier image quality and serious video power. But most days, you don’t need all that bulk, cost, or pressure to shoot something meaningful. 

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The Canon RF 14mm f/1.4L VCM is one of those lenses that looks extreme before you even mount it. An ultra-wide 14mm with an f/1.4 aperture in a surprisingly compact body changes how you think about low-light shooting and video setups. 

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The Apple MacBook Neo targets the lower end of the Mac lineup, priced close to a Mac mini but built as a full laptop. You look at the specs, see 8 GB of RAM and the A18 Pro chip, and you wonder how far it actually goes once real work starts. 

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Lambs are not only cute, but they're also a sign Spring is well-and-truely on its way so they make us doubly happy. Cuteness and happiness aside, they're great subjects for outdoor photos as not only do they make people go 'ahh' they're also pretty active so you can capture some great action shots as well as images that are a little calmer. 

To set you up for your lamb-themed photography shoot, we've got 5 essential tips to share with you. 

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1. Don't Trespass

Shooting from a roadside, lay bay or on a public path that has right of way through a field is fine but don't venture on to someone's land without asking permission first.

2. When To Photograph Them?

In some places, lambs are starting to appear in fields now and if the farmer started lambing early, some start in December, they should be starting to become more active which will give you the chance to capture more interesting shots.

Dull days might not be your favourite time to head out into the countryside, however, days like this can give the best sort of light which makes grass appear saturated and you'll be able to see plenty of detail in the lamb's coat.

 

3. Wrap Up Warm

Even though we do get sunny days, it's still rather cool out there and when you're standing around for lambs to move a little closer to you, you'll soon start to feel the cold if you're not dressed correctly. Sheep are generally very wary of people so once they've done a runner, it can take them quite some time to build up the confidence to come and graze near you again.

 

 

4. Find One Subject

If possible, zoom in and focus on just one lamb. Not only will this give you the 'ahh' factor but it'll also give your shot more impact. Your shot must be sharp and exposed well and if you can, use a wide aperture to throw the background out of focus so nothing distracts the eye away from the lamb.

Getting down to the lamb's level can give a more interesting viewpoint, however, you need to pay more attention to the background – posts growing out of heads is never a good look and other items can just be distracting.

If you're subject's slightly older, they'll have more energy and will be braver so are more likely to be jumping around. Adding a small amount of blur to your action shots with slower shutter speeds can work well but don't go too slow as you still need to be able to see what your subject is.

 

5. Group Shots

Singling out one lamb can be tricky in a field full of sheep so if you struggle, go for the group shot instead. Look for interesting patterns and formations the sheep create and if get a small cluster of sheep together, wait until they're all looking your way and snap the shot.
 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

Photography once had clearer purposes. Everyday images were made for practical or personal reasons, while others sought to express meaning. Technical prowess was the hallmark of professionals. Now the lines are blurred, and the resulting confusion may be reshaping how we understand photographs. 

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If you're a photographer long enough, eventually you will be robbed. Today, with the help of Apple AirTags, you might be able to get your gear back.  

I didn't think it would ever happen to me, until it did, and I happened to be filming. 

https://youtu.be/YSnkqyLCZko?si=N2cu5inn_PymKLgO

Yes, you could simply throw an AirTag in your camera bag and hope for the best, but the thief can easily find it, or the thief might just steal a camera. To be fully protected, we heed to mask our AirTags, and attach them to each camera as well. 

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Somewhere in Sigma's factory complex in Aizu, Japan, the company's sole manufacturing facility, where every Sigma lens and camera is built, there is an engineering team that has been working on a single image sensor for nearly a decade. They have built prototypes, found flaws, gone back to the drawing board, lost their manufacturing partner, and started over.

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Film photography is expensive, slow, and often inconvenient, yet more people keep picking it up. You’ve likely wondered whether it’s nostalgia, trend chasing, or something digital simply can’t replace. 

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Using white balance as a color grading tool can shift the entire mood of a landscape in minutes. When you stop treating white balance as a simple correction and start using it with masks, you gain precise control over how color moves across the frame. 

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The Ricoh GR IV is a rare camera that actually fits in a pocket and still gives you an APS-C sensor. If you care about image quality but refuse to carry a heavy kit, this one forces a serious conversation. 

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This video argues that the purpose of photography is simple: to notice and defend beauty. That idea can feel almost too soft in a world that rewards grit, edge, and shock value, but it's worth examining. 

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  Macro and close-up photography allows us to see the world from a different viewpoint and sometimes, shots can be almost magical with what they unveil. Plus, with so many subjects waiting to be captured, you really can put your macro photography skills to the test and, you don't have to venture much further than your own garden either.    To get you started, here are our 10 top tips on capturing images with close-up/macro lenses.  [HOOK]position_1[/HOOK]  1. Make Sure Your Subject Is Perfect

 

When you're working at such close focusing distances any imperfections become more noticeable and they can end up distracting the viewer or spoiling what could be an excellent shot. However, taking the time to look at your subject, making sure the butterfly you're photographing doesn't have a damaged wing or your fungi specimen isn't dirty or had a bite taken out of it, will mean you won't be disappointed when you review your shots on your computer once home.

2. Get Up Early

 

Not everyone's a fan of early starts but if you want to shoot macro photography out in the field, it's something you should get used to doing. Some subjects tend to be less active in the morning, especially when it's still a little chilly, making them easier to photograph and plants, flowers and other foliage are less likely to have had a bite taken out of them early on, too. Mornings can bring a sprinkling of dew which adds another level of interest to your shots and morning light is softer and warmer too.
 

3. Try Backlighting

 

Low, morning light makes it easier to backlight your subjects which can give your macro shots an interesting twist. Objects which are slightly translucent such as leaves, flower petals and butterfly wings look really good when light shines through them from the back. Keep a close eye on your shots though as the light levels can fool your camera into thinking the scene's too bright and it will underexpose the shot. If you do have problems just use exposure compensation to fix it.
 

4. Switch To Manual Focus

 

When working close to a subject, autofocus tends to end up searching backwards and forwards for something to focus on. Eventually, it may focus on the right point but it's much quicker to switch over to manual where you'll be able to focus more precisely. If you're not used to using manual focus it can take a little bit of practice but if you try shooting flowers, fungi and other objects which are less likely to fly or runoff, you don't have to rush so can take your time in getting your focusing spot-on. Then, once you're used to working manually, move on to more tricky subjects such as insects and other wildlife.
 

5. Try Pre-Focusing

 

Some macro subjects such as insects move fast and scare easily so pre-focusing your lens before they come into frame can increase your chances of capturing a good shot. Find something that's of a similar size of your subject and position it the same distance away as your subject will be when it lands.

 

6. Pack A Polarising Filter

 

A polarising filter can be fitted to a lens to ensure the colours captured are the same as the real thing, giving your shots more punch in the process. Attaching a polarising filter to your lens will slow your shutter speeds down, however, so make sure you're using a tripod to stop shake which can spoil your shot when working hand-held.
 

7. Avoid Shake

 

Camera shake is more noticeable when working close to your subject so always use a tripod. If you have one, use a remote release to fire the shutter button so you don't have to touch the camera or if you don't have one, use the camera's self-timer or your Smart Device if you have a camera that'll allow you to control it this way. Making sure your image stabilisation is on and using quicker shutter speeds, which you can get by switching to a higher ISO if you're working in low light, will help keep movement to a minimum but it's still best to fasten your camera to a tripod.
 

8. Windy Days Are Your Enemy

 

As already mentioned, any movement in the frame is exaggerated when working at such close focusing distances so what may seem like a small breeze to you can look like a strong, winter gale blowing through your image.

You can hold your subject in place with plamps etc. or if you're patient, just wait for the wind to stop blowing. You can also try and shelter the plant you're photographing with a make-shift shield. Card works well but if you're out in the field try using your camera bag or even your own body to shield your subject from the wind. Also, using a slightly quicker shutter speed will freeze motion but this isn't always possible, especially when working in darker locations such as woods.
 

9. Get In Close Then Add Some Space

 

By isolating part of a flower, insect or leaf you can create strong, abstract shots. So find detail that interests you and really zoom in close, filling the frame with striking shapes and interesting patterns.

Don't forget to try the opposite too so your subject has some space to 'breath'. Why? Well, it can help give your image context as well as create a sense of scale in your shot. Do keep your background simple if you do this though as you don't want it to distract from your main subject.
 

10. Light Your Shot Well

 

Where possible, try to use natural light, however, there are times when this isn't possible such as working in the woods where light levels are lower or when you're working with subjects that move quickly.

Rather than using your camera's built-in flash which is harsh and often too direct, try using a ring flash which can give a more even spread of light. Watch out for overexposed 'hotspots' appearing on your subject and when using natural light, make sure your own shadow isn't caught in-frame. You may also need to use a reflector to bounce much-needed light into dark areas of the shot. You can buy reflectors, but one made from a piece of card and silver foil can work just as well.
 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

Street photography is a deeply personal pursuit that somehow produces a shocking number of identical results. If you’ve ever wondered how so many photographers end up making the same choices, here are twelve easy steps to help you join them. 

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Manfrotto ONE Photo is a premium, hybrid support system designed to bridge the gap between photography and videography for modern content creators. The original ONE Hybrid features a quick-release system for swapping heads in seconds, a versatile column that can shift between vertical and horizontal positions (Q90), and a built-in leveling base, making it a robust solution for both photo stills and cinematic video. 

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Cameras can identify human eyes at 30 meters. AI retouching erases decades from a face in seconds. Color grading that required a professional colorist and a full day of work in 2010 now runs automatically on your phone. By every measurable standard, we are living in the most technically perfect era photography has ever produced. 

And the market is actively walking away from all of it.

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Architectural and design photography pays more than standard MLS listing work and runs on a completely different mindset. If you are tired of tight timelines, volume pricing, and rushing from house to house, this shift changes who hires you and how you get paid. 

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