Photography News

As content creators, we're constantly searching for that perfect balance: professional-grade equipment that doesn't require a full production crew to operate. It's a challenge I've faced countless times: wanting cinematic tracking shots, multiple angles, and broadcast-quality footage, but without all the gadgets that require additional camera assistants to run them. The OBSBOT Tail 2 aims to solve exactly that problem, and right now, it's available for $999 (down from $1,199) during its Black Friday promotion running through December 1st.

[ Read More ]

It's not megapixels, and it's not the autofocus system. The real difference between budget bodies and flagship cameras comes down to three terms you've probably seen but never understood: BSI, stacked, and global shutter.

[ Read More ]

This is the best time of year to save on the best investments you can make in your photography. ver the next week the best brands in the industry are offering their best prices of the year. Whether you're in the market for new gear, a faster workflow, or want to study a new skill, there's a way to save money on what you need.

[ Read More ]

I’ve been testing the new Lowepro ProTactic BP 450 AW III and I like it—a lot.

[ Read More ]

Taylor Swift’s “Life of a Showgirl” bathtub cover looks like a different person compared to the matching moment in the music video, and that has people jumping to conclusions about retouching or AI. Here's a look at why.

[ Read More ]

If heavy blur is your obsession, a 135mm f/1.4 gives you a level of background wipeout that few lenses can touch. It takes the look far enough that even seasoned bokeh chasers start paying attention.

[ Read More ]

A compact 24-70mm style zoom that starts at 24mm but stops at 60mm instead of 70mm is not a common sight, especially with a constant f/2.8 aperture. You get a smaller, lighter lens that still promises bright aperture performance without the usual cost or bulk.

[ Read More ]

Real estate media took some hard knocks in 2025, and a lot of comfortable habits got exposed. If you rely on listing work, 2026 is shaping up as a year where trust, realism, and smarter use of AI decide who keeps getting booked.

[ Read More ]

  Photo by David Clapp - www.davidclapp.co.uk

 

What Gear Do I Need?

When it comes to gear choices, your first thoughts might be to pick up a macro lens but shooting with a wide-angle zoom will give you a larger area you can crop into later. You'll also need a tripod as well as an ND and polarising filter.

 

When Can I Shoot Abstract Landscapes? 

If your landscape shooting plans are put on hold by a grey overcast day, still head out as you can shoot some abstract landscapes instead. As shadows, which can help create perspective, aren't something we need in abstract landscapes you can shoot when the sun's hidden by cloud. After it's rained, when the sky's still decorated with grey clouds, is a perfect time to head out as the light will still be even and everything will be damp and drying which means they'll be plenty of different shades to capture.

 

What Subjects Make A Good Abstract Landscape? 

Basically, you need to frame your shot so it removes it from its surroundings, focusing on the patterns, shapes, texture and colours. Here are a few examples:

• Wet, colourful pebbles on a beach.
• The patterns the tide creates in the sand.
• Close-ups of rusty objects.
• Lines found at the bottom of reservoirs after they've dried up.
• Areas where water has pooled, as the rocks and foliage they collect can make an interesting study. (You'll probably need a polarising filter to reduce the amount of glare coming off the water's surface.)

 

How Should I Position My Camera? 

You need to stand parallel to your subject so if you're shooting pebbles on a beach, for example, you need to stand directly above them and shoot down. Just remember to have a look around the viewfinder before you take your shot as the wide-angle view can mean your feet end up creeping in at the edge of the frame.
 

What About Aperture Choices? 

For front to back sharpness try using an aperture around f/8 which on an overcast day does mean you'll end up with slightly longer exposure times so using a tripod is a must. If the tides coming back in, filling channels it originally cut going out or you're at the side of a stream that's meandering round and over a group of rocks, dial down to a smaller aperture to give you an even slower exposure so you can blur the movement of the water, adding further interest to your shot.

Photographers, this is the one you’ve been waiting for.

The Nikon Z6 III — Nikon’s latest hybrid mirrorless camera — has just dropped in price on Amazon, and it’s turning heads across the photography community. Whether you shoot landscapes, weddings, wildlife or high-end video, this deal gives you a chance to get a next-generation full-frame camera at one of the lowest prices we’ve seen yet.

Today’s Amazon Deal Details

• Current Price: Check live price on Amazon →

• Savings: Typically retailing at $2,496.95, this model is now significantly discounted.

• Retailer: Amazon (Official Nikon seller)

• Availability: Limited stock discounts like this rarely last beyond a few days.

• Prime Eligible: Fast delivery with free returns for Prime members.

Why This Deal Matters

The Nikon Z6 III sits right in the sweet spot between Nikon’s professional Z8/Z9 and the more budget-friendly Z5 or Z50.
It offers an incredible combination of speed, image quality, and cinematic video capability, all packed into a compact, rugged body that’s built for real-world shooting.

For photographers who’ve been waiting to go full-frame without spending flagship money, this deal is the perfect moment to jump in.

Nikon Z6 III Specifications ManufacturerNikon Image Sensor Pixels24.5Mp (Megapixels)Pixels (W)No DataPixels (H)No DataSensor TypeCMOSSensor SizeNo DataSensor Size (width)No DataSensor Size (height)No DataAspect Ratio

• 3:2
• 16:9
• 1:1

LCD Monitor LCD Monitor3.2inScreen resolutionNo DataTouch ScreenYes Focusing Focusing modes

Exposure Control Shutter speeds shortestNo DataShutter speeds longestNo DataBulb modeNo DataExp modes

• Program
• Aperture-Priority
• Shutter-Priority
• Manual
• A

Metering

• Centre-weighted - Average
• Partial
• Spot

ISO sensitivity100 - 64000White balance

• Auto
• Cloudy
• Incandescent
• Fluorescent
• Shade
• Flash

Exposure CompNo Data Viewfinder Viewfinder ResolutionNo DataMagnificationNo Data Shooting Options Continuous shootingNo Data Video Movie modeNo DataVideo Resolution

• 1920x1080 FullHD
• 4K
• 6K

Video FPSNo DataStereo SoundNo DataOptical Zoom with VideoNo Data Other Features Image StabilisationYes Interface HDMIYesUSBUSB 3Wi-FiNo Data Storage Card Type

• SD
• SDHC
• SDXC
• XQD
• CFexpress (Type B)

File Type

• RAW
• JPG
• HEIF

Power Source Battery TypeEN-EL15c Rechargeable Lithium-IonBattery Life (CIPA rating)380shots Box Contents Box ContentsNo Data Dimensions Weight760gWidthNo DataHeightNo DataDepthNo Data

View Full Product Details

These specs place the Z6 III right at the top of the mid-range full-frame category — it competes directly with the Canon EOS R6 II and Sony A7 IV, yet undercuts both in price when on offer.

Real-World Performance

Photographers who’ve tested the Z6 III consistently praise its autofocus accuracy and dynamic range.
Thanks to Nikon’s subject-detection algorithms (borrowed from the Z8 and Z9), it locks onto eyes, animals, vehicles, and even birds in flight with stunning precision.

In video, the Z6 III shines with its internal 10-bit N-Log and H.265 recording, giving filmmakers serious flexibility in post-production. Combined with the bright EVF and deep grip, it’s a true hybrid workhorse designed for creators who switch between stills and motion.

“This camera feels like Nikon finally nailed the hybrid formula — it’s powerful, compact, and makes no compromises,” said one early reviewer on ePHOTOzine’s test bench.

Who This Camera Is Perfect For

If you fit into one of these categories, the Nikon Z6 III deal deserves your attention:

• Hybrid shooters who record both high-end video and stills.

• Wildlife or sports photographers who need 120 fps bursts.

• Landscape photographers looking for excellent dynamic range in a lightweight setup.

• Upgraders from DSLR — especially Nikon D750 or D780 owners ready for mirrorless performance.

Nikon Z6 III vs Z6 II — What’s New?

If you already own or have been eyeing the previous-gen Z6 II, here’s what makes the Z6 III worth upgrading to:

Feature Z6 II Z6 III Processor EXPEED 6 EXPEED 7 (Much Faster) Autofocus Good AI-trained subject tracking from Z8/Z9 Burst Rate 14 fps 120 fps (JPEG) Video 4K/60p 6K/60p + 4K/120p + RAW Screen Tilting Vari-angle fully articulating EVF 3.69 M-dot 5.76 M-dot 4000 nits (brighter than Z8)

This is a generational leap, not just a refresh — making the current discount even more compelling.

Why Buy from Amazon?

• Official Nikon Seller — full manufacturer warranty applies.

• 30-day returns on most items.

• Fast, trackable shipping (with free Prime delivery for members).

• Verified customer reviews to back up your decision.

When buying camera gear online, Amazon remains one of the safest and most convenient platforms, especially when combined with an active Nikon warranty.

Expert Tip from ePHOTOzine

If you’re investing in the Z6 III, don’t forget to check out the Nikkor Z 24–70 mm f/4 S or Nikkor Z 35 mm f/1.8 S — both pair perfectly with this body and are often bundled with discounts. You can also adapt your older F-mount lenses using the FTZ II adapter, which works seamlessly with autofocus and VR.

Don’t Wait Too Long

Amazon deals like this rarely stay active for more than a few days — especially on new-release Nikon bodies. If you’ve been holding off, now’s the time to act before prices return to RRP.

Check the Nikon Z6 III Deal on Amazon →

Most night photographers never seem to have this one accessory with them. But they should. We're talking small gear, huge impact. I'll go over nine great uses for this accessory too. And one reason may have saved someone's life!

[ Read More ]

 

A superb action shot of an Osprey lifting off with its catch has earned FOXTROTT1 this week’s ‘Photo of the Week’ title.

The image shows the bird at just the right moment, with wings wide open, talons gripping a freshly caught fish, and water splashing around. Every detail is clear, from the feathers to the droplets still hanging in the air. The soft background helps keep the focus on the osprey’s strength and sharp movement.

One member describes it as “Right Time, Right Place, Fast reactions” – and it truly shows. With perfect timing and clear focus, this photo really stands out as our ‘Photo of the Week’.

Every Photo of the Week (POTW) winner will be rewarded with a Samsung 128GB PRO Plus microSDXC memory card with SD adapter, providing top-tier storage for all your creative needs across multiple devices. But that's not all! In January 2026, we’ll crown our 2025 Photo of the Year winner, who will take home the ultimate prize of a Samsung Portable 1TB SSD T7 Shield, courtesy of Samsung. It’s time to shoot, submit, and showcase your best work for a chance to win these incredible rewards!

The 35mm focal length is a staple for almost every photographer, but native options often come with a hefty price tag. I recently took the Meike 35mm f/1.8 Pro AF for a spin to see if this budget-friendly full frame lens could stand up to the rigorous demands of modern high-resolution sensors.

[ Read More ]

You've been there. A potential client emails you: "Love your work! How much do you charge?" You respond with your pricing, maybe a PDF with your packages, and you wait. And wait. And then... nothing. Complete radio silence. You never hear from them again, and you're left wondering what happened. Maybe they went with someone cheaper. Maybe they didn't feel confident enough to pull the trigger. Maybe they're still shopping around and you're just one name in a spreadsheet of photographers they're comparing purely by price.

[ Read More ]

 

A compelling mono image by saltireblue, titled The Lone Descent, has been selected for feature on ePHOTOzine.

The woman descending the stairs forms the focus of the scene. The strong contrast brings out the lines of the stairway, while the deep shadows give the scene a cold, quiet feel. The composition is excellent, and the lighting is well-handled. The result is a notable shot that shows how quick reactions can still produce work of real quality.

Every Photo of the Week (POTW) winner will be rewarded with a Samsung 128GB PRO Plus microSDXC memory card with SD adapter, providing top-tier storage for all your creative needs across multiple devices. But that's not all! In January 2026, we’ll crown our 2025 Photo of the Year winner, who will take home the ultimate prize of a Samsung Portable 1TB SSD T7 Shield, courtesy of Samsung. It’s time to shoot, submit, and showcase your best work for a chance to win these incredible rewards!

 

Photo by David Pritchard

 

With the days growing shorter, there are great opportunities for night photography in the city. Urban and city areas can be accessed in the dark, often at rush hour when there are amazing shots to be had in relative safety.

Article Sections:

• Gear
• Set-up
• Safety
• Locations
• Skylines
• Wet weather
• Long exposures
• Exposure
• Time of day
• Colour

 

Gear

Click on the links below to find gear options to purchase - by cliking on these links and buying anything, you are helping to support the site at no extra cost to you - thank you. 

• Tripod - You can get by with other forms of support but they are never as good as a solid tripod. Many of your exposures are probably going to be 5-10 seconds or more.
• Cable/Remote Release - This will help prevent vibration and camera shake.
• Light meter/card with exposure durations written on it at 1/3 intervals - Exposures can get quite lengthy at night, especially for film users where reciprocity failure becomes a problem. As the longest exposure most cameras can calculate is 30 seconds, you will often find situations where this is exceeded. I find it useful to have a light meter which will cope with much longer exposures.
• Camera - One that lets you work at higher ISOs and has low noise.

 

Checklist

1. Ensure your lenses and sensor are clean. Night shooting tends to emphasise dust and flare from dirty equipment. You will be surprised at just how dirty your kit is once you start shooting at night.
2. Check to see if your camera has a mirror lock function (usually this is in the cameras custom functions) or be prepared to shoot in live view if your camera has this. Personally I like live mode / view as it’s very effective at seeing in the dark.
3. Getting the exposure right at very slow shutter speeds can be very tricky and often involves guessing. Shooting in RAW format can help give you a little more flexibility in post processing.

 

Safety

Before looking at possible subjects, just a quick word on safety. It might still be early but you still need to be sensible and keep personal safety in mind. Where possible work with a friend or two and look out for each other. Avoid being out too late as drunks seem to find cameras unusually attractive especially when mounted on those strange metal legs we know as a tripod. Stick to areas with good lighting and lots of people. These tend to make for better images but are also usually safer.

 

Photo by David Pritchard

 

Locations

Now you have your kit prepared, start to think about the type and location of the shots you want to take. It’s tempting to turn up somewhere and then look for something to shoot. A better option is to think about the type of work and then pick a suitable location. Sometimes however you just get lucky and providing you are prepared you can get some good shots.

 

Skylines

City skylines are the obvious targets for night photography as many office buildings tend to have lighting for the night. Monuments such as churches often have night lighting also as do many industrial sites which work 24 hours. If you do decide to photograph industrial sites stay a good distance from the location as you don’t want to be suspected as a terrorist. I was however surprised when I went around London at night armed with a camera and Gorillapod. I thought that I dare not be seen with a tripod at night. What I found were lots of other photographers all carrying full tripods and using them openly in the streets.

 

Wet weather

Don’t rule out poor weather as wet pavements can be particularly attractive as they reflect the lights of buildings and traffic. When shooting moving objects you should consider what effect you are trying to create and what a suitable shutter speed is to achieve this. If for example you are shooting a car, the headlights will show up well, but when the car is moving fast and the shutter speed is long, the only thing that can be seen are the light trails. With shorter exposures you will probably retain some of the car in the image as well as the light trails.

 

Long exposures

You can use longer exposures to your advantage, for example when photographing people at night perhaps outside bars. People sat or stood may look relatively well defined whilst those moving past don’t show up at all.

 

Photo by David Pritchard

 

Exposing

When exposing your shot, be sure to cover the back of the viewfinder to stop light entering and affecting the exposure times. Different cameras seem to have different levels of susceptibility to this but every camera I have used has underexposed if I haven’t blocked the viewfinder during a long exposure. Getting the correct exposure is quite a task and open to guess work, so if in doubt just take the camera's exposure. If you like to judge exposure based on the camera histogram be aware that the histogram is likely to be clipped at both ends. Areas will become pure black and other areas of bright light will have no detail. Sometimes it’s worth bracketing shots a stop either way to ensure you have one you are happy with.

 

Time of day

It may sound strange but the time of day, or rather night can be quite important. The temptation is often to time our shooting for the night when the sky appears inky black. Whilst this might provide a stark contrast to the lighting on the building it also means there is no interest in the sky so you probably need to minimise its inclusion. Earlier in the day however the lighting on buildings doesn’t appear quite so strong although there might still be some colour in the sky which is more appealing. So when considering your subject give some thought to the time of the day and also consider this when selecting your composition.

  Colour of the lights

Another interesting aspect of night photography is the colour of the lights used in many settings. Street lighting for example is usually yellow and Fluorescent and mercury vapour lighting (often found in industrial settings) has a green appearance. Whilst these mixed lighting scenes can appear attractive in the image, you sometimes need to take extra steps to deal with these conditions. The most obvious step is to ensure your camera is set to AWB but even this doesn’t correct all the situations you come across. Film users might face an even steeper challenge as long exposures can cause unpredictable colour shift in the film although this can be quite attractive.

In summary, use the correct equipment with good technique, pick your subject, composition and approach and you will be able to capture some great night images in your city. Most of all, remember to keep to the busy areas and stay safe.

 

 

Photo by David Pritchard

 

Words and images by Robin Whalley from Lens Craft.

Let’s see the comparison of the portraits taken with 50mm, 85mm, and 135mm prime lenses. Is there a difference in the bokeh and background? Find out if focal length affects facial features and what the ideal shooting distance is for both environmental and close-up shots.

[ Read More ]

Canon’s new 85mm prime aims to solve a basic problem: you want fast glass and shallow depth of field without carrying a giant, front-heavy lens all day. If you work with Canon RF bodies and bounce between portraits, events, and video clips, how this lens balances size, speed, and autofocus will directly change how you shoot.

[ Read More ]

A single lens that can handle landscape, travel, portraits, casual macro, and video without weighing you down changes how you plan every shoot. The Sigma 20-200mm f/3.5-6.3 DG Contemporary lens aims to be that kind of tool, especially if you hike, travel, or just prefer to keep things light.

[ Read More ]

Sigma’s 17-40mm f/1.8 DC Art is trying to replace a lens many people have built entire systems around, the 18-35mm f/1.8 Art. If you rely on one fast zoom on APS-C for video, interviews, or hybrid work, this lens is definitely worth a look.

[ Read More ]