FStoppers

Camping can transform the way you approach photography. Instead of gear becoming your main focus, experiences and surroundings come to the forefront.

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Creative resistance isn’t laziness; it's a hidden barrier photographers face every day. It's that invisible wall making you endlessly research gear or tweak your website instead of actually shooting.

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If you want a small and lightweight Canon lens to fill the gap between wide angle and telephoto, the lens we review in this article is a great choice.

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On February 23, 1945, during the Battle of Iwo Jima, six men—five U.S. Marines and a U.S. Navy corpsman—raised an American flag atop Mount Suribachi. Joe Rosenthal, a photographer with the Associated Press, happened to put himself in the right place at the right time. With one click of the shutter, he captured a fleeting moment of unity and grit that would echo far beyond the war: the raising of the U.S. flag on Iwo Jima.

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Getting your camera settings right can be the difference between capturing unforgettable moments or losing them entirely. Whether it’s the first kiss or the dance floor, wedding days offer little room for mistakes.

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Finding hidden waterfalls or capturing streams that few have seen can set your photos apart and add depth to your work. Beyond beautiful landscapes, it's about challenging yourself and staying creatively sharp as you encounter new scenes.

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Understanding how composition and light truly impact your photography is often more critical than any gear you own. Many beginners assume expensive cameras automatically improve their images, but that's rarely the case.

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As a longtime Canon user, it was a somewhat painful switch to buy a Sony ZV-1 as my point-and-shoot camera. Not because the Sony ZV-1 was a bad camera, but more so because the way that brand's cameras work is so different from what I'm used to. So what's it like the other way around with the Canon PowerShot V10?

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Several years ago, I got a call one morning from the head ranger at Bighorn National Forest in Wyoming. He was inquiring if I would be interested in participating in Bighorn National Forest’s initial Artist in Residence program. That was during the COVID shutdown, and my state was really locked down—we couldn't even go camping in a state park! So, yes, absolutely yes.

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In my previous article, I wrote about the basics of aperture. Once you have got to grips with that, there is more information that's really useful to know.

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We spent some time on the new DxO PureRAW 5 when it was announced in February, but now it's out and I've had a chance to give it a run.

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When selling real estate, photos significantly influence a buyer's decision. Understanding the psychology behind engaging imagery helps you take better images that attract more potential buyers.

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Culling is an essential part of a photographer’s workflow. However, sorting through thousands of images takes up precious time and focus. This article looks at how AI-assisted tools like Imagen’s Culling Studio help speed things up without losing creative control.

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Spring photography is tricky because elements don't always cooperate. Understanding how to adapt when conditions aren't what you expect can help you consistently capture better images.

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Finding a camera that genuinely fits your workflow can dramatically impact your enjoyment of photography. When your gear feels right in your hands, you're able to focus purely on the shot, rather than fighting with ergonomics or complicated settings.

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Viltrox’s new AF 35mm f/1.2 LAB FE lens brings an extra-wide aperture to Sony full frame cameras, letting you blur backgrounds and shoot in dim venues without pushing ISO. That mix of speed and moderate width gives photographers room to frame environmental portraits while you keep distractions melting away behind your subject.

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Balancing on‑location flash with existing light sits at the heart of compelling portrait work. Photographers who understand how a slight shift in ambient exposure reshapes mood and subject separation gain tools that make creative intent feel effortless rather than frustrating.

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The recent launch of the Fujifilm GFX100RF has stirred quite a debate in the photography community. Many Fujifilm fans were frustrated by the decision to equip the camera with a fixed f/4 lens instead of a faster option like f/2.8 or even f/2. This backlash got me thinking: does a faster lens always make a camera better? And more importantly, does it help us produce a better image? The more I think about it, the more I realize that the obsession with wider apertures might not be that beneficial for visual output, but rather for bragging rights that often overlook crucial trade-offs.

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Entry-level full frame cameras can be a fantastic purchase, allowing access to premium image quality without extreme costs. Nikon recently introduced the Z5 II, an update to their popular Z5, offering substantial improvements and features aimed at serious but budget-conscious users.

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Choosing an ultra-wide lens can profoundly affect how you approach photography, forcing you to reconsider perspective and composition. Such lenses aren't for every situation, but when used correctly, they can offer dramatic, unique results.

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